Film Reviews by FM

This film was apparently panned on release due to its excessive length and it is certainly true that some scenes and the script should have been attacked with a scalpel. The framing round the memories of an American woman gives the unfortunate first-impression that this will be some kind of US mini-series. But this story of the chocolate-box soldier-cadets of 1880s Tsarist Russia is strangely affecting when dealing with what it knows about - the idiosyncrasies and silliness of pre-communist Russia, and there is a memorable performance by Oleg Menshikov as a theatrically excitable cadet swept up in a passionate coup de foudre with a mysterious American woman. He has the most naturally expressive very Russian sad-clown face, and he uses it to such great effect. Some elements of the plot jar: Julia Ormonde's back story is introduced in a barely understandable or credible fashion, and Richard Harris used in a way that is merely irritating. The ending is hard to believe given what has gone before. One gets the feeling of a great missed opportunity, spoiled by the need for international cooperation and funding. If you read the whole thing as a metaphor for modern Russia - American culture is alluring and tempting, but don't get involved as it will destroy your innocence and mess up your life!

This had received so-so reviews so I wasn't expecting much, but found it to be a hilarious pastiche of the absurdities of 1940s/1950s movie making - I particular enjoyed the boardroom scene with the rabbi, priest and minister arguing over the Trinity, the audience over-reaction to the blonde Jesus, the send-up of Esther Williams movies and nautical musicals: Channing Tatum was the deal person to invoke memories of Gene Kelly. Definitely channelling a bit of Wes Anderson here. If you are in need of cheering up (and I was) give it a go.

A moving, slow-burning romance cum-meditation on war, but to drag us to the point of a happy

ending through twists and turns and then frustrate it at the last, was annoying and not particularly credible.