The best ever backstage musical offers a vicarious glimpse into life on Broadway in the '30s while also reflecting on contemporary social handicaps. It's one of the the great films about the depression because it approaches it obliquely and through the genre conventions of the musical, avoiding the sanctimony that is sometimes the Hollywood way with the big issues.
There's a realistic chorus line story with characters which would become archetypes: the lecherous financier (Guy Kibbee); the hardboiled, stage director (Warner Baxter) under pressure and giving the company hell; the sassy, wisecracking, starving dancers led by Ginger Rogers and Una Merkel. Bebe Daniels is the hot tempered diva; Dick Powell the pretty, romantic juvenile.
And of course, as the ingenue who gets her chance when the star goes down lame, Ruby Keeler. In the immortal words of Warner Baxter: 'Sawyer, you're going out a youngster but you've got to come back a star!'. The punchy, sassy dialogue is a blast. OK, Keeler dances like a horse, she's overweight and her acting is little more than enthusiastic, but this doesn't really impair the exprerience.
It's Warner Bothers so there are unpretentious proletariat scenarios. But the last three numbers, are staged by legendary dance director Busby Berkley with prodigious panache. Shuffle Off to Buffalo, Young and Healthy, and the showstopping 42nd Street. The title song is immortal, and Berkley's living tableau of the Great White Way channels a metropolitan mythology which remains rich and joyous.
Captures the spirit of the times. The speech is fast and the action entertaining, but hugely enjoyable.