Miles and miles ahead of it's time. The tightest, sharpest script. Fantastic performances all round. An unbelievably modern take on female equality that makes a lot of new films look oafish. Outstanding.
My view is that Spencer Tracy and Katherine Hepburn are not great comic actors, though they did have a run of hits together in the '40s and '50s. She is too strident, and he is a touch menacing for lighter roles. But this is their best comedy and those traits actually help their performances this time.
It's not the funniest sitcom, and much of the humour is at the expense of its lower class support characters from the point of view of the Manhattan elite. But it is an interesting contemporary battle-of-the-sexes review of women's rights which mostly stands up today. There's more drama than screwball.
A mother of three (Judy Holliday) has shot and injured her unfaithful husband. Tracy is the public prosecutor in charge of the case, but his lawyer-wife (Hepburn) defends the accused, enraged by the gender hypocrisy of attitudes to adultery. And she won't back down, no matter how furious her husband gets.
There's a fun setting among the postwar Manhattan cocktail and dinner party set. They even have a foppish neighbour who drops in to play their piano and sing a Cole Porter number! But, George Cukor hasn't the Lubitsch touch, and the comedy fails to get off the page. Still, the sexual politics remain of interest.