First thing to say about these hearts is that they are 100% in the right place. I'm afraid that is the only positive point in its favour, for even the most perfectly made cherry pie becomes inedible if gallons of thick treacle are poured over it. No cloying sentiment is left unsaid. No cliched character is left uncast. No predictable situation is left unexplored. Gorge cannot help but rise after the umpteenth time the children are called 'angels' or 'cherubim'. It may be argued that this was a product of its time, (1960), when a high level of sentiment was a more common trait. But directors like Karoly Makk and Konrad Wolf were around then, and O how one wishes someone of that standing could have been at the helm.
No actor can be singled out, as no-one had the ability to rise above the saccharine script.
Sentimental WWII melodrama set in a convent in Tuscany in 1943 which operates as a safe house for the transit of Jewish children out of fascist Italy. After the assassination of Mussolini, the Nazis take over security of the nearby prisoner of war camp and threaten to brutally crush the humanitarian work of the nuns.
Its big strength is the location shoot in the sunny Italian campagna, especially the fourteenth century monastery, which gives the film atmosphere and authenticity. Some of the dialogue is excellent, particularly the psychological manoeuvres between the mother superior (Lilli Palmer) and the German officer (Albert Lieven).
The nuns are archetypes, with Sylvia Syms a sensual novice and Yvonne Mitchell a scary fundamentalist. The German officers are ultra-sadistic, but this feels more melodramatic than realistic, driving the suspenseful plot to a frantic climax. Will the Nazis discover the hidden kids during their (noisy) religious ceremony?
Setting aside historical fidelity, ultimately the film is spoiled by an excess of the cutes. The performances of the children are badly misjudged, which is the director's fault. And this is exaggerated by the lush, romantic soundtrack. And transforming this holocaust story into a manipulative tearjerker feels like a failure of judgement.