This was dope
- Everything Everywhere All at Once review by AER
Chaotic, original and utterly mad, Everything, Everywhere, All At Once is a triumph in big concept entertainment. In Hollywood where everything is based on an existing IP, I am so happy that a unique film with an utterly fresh storyline has made it to the big screen. Hollywood, give us some more action films like this!!!!
8 out of 10
4 out of 5 members found this review helpful.
Overly Hyped Fantasy Comedy
- Everything Everywhere All at Once review by GI
This frantic, existential action comedy has had loads of plaudits just about everywhere especially in the US so I was intrigued to see what this was like and hence disappointed that it's a frantic yet laborious and overlong film that seems far too impressed with itself. Most of the problem is that it's so full on with effects and ideas that by about half way through you give up caring about anyone. Michelle Yeoh is Evelyn, a Chinese American woman who co-owns a laundromat with her wimpy husband, Waymond (Ke Huy Juan). Her relationship with her lesbian daughter, Joy (Stephanie Hsu) and her father (James Hong) all help her despair of her dull life. Things aren't helped by the attitude of the tax auditor Deirdre (Jamie Lee Curtis) who is threatening to seize their business. Something triggers the opening of a multi-verse where Evelyn gets to see various alternative lives she could have had and goes on a series of journeys culminating in a confrontation with her angry family. By the end you'' be yawning as the film never seems to end and when it finally does it's a bit disappointing. There's some gags along the way and Curtis is having a ball as the grumpy tax lady. But overall I just didn't get it.
4 out of 6 members found this review helpful.
One of the longest 2 & a bit hours of my life, wasted on watching a terrible film
- Everything Everywhere All at Once review by TB
The hype was stratospheric. The haul of Oscars enormous. The praise pretty much universal. And then I watched it...
Within the first 5 minutes, this film started to grate on me. It was like watching the most out of control art experiment gone wrong I've ever seen. But it had the effect of being so over the top, that I literally didn't care about anything within it. So much effort had been put into what for me was just a complete and utter mess. Whatever this film was trying to build in terms of worlds, for me it totally failed. And the harder it tried, the worse it became.
As someone who loves Michelle Yeoh and always wants to experience new films and try different things, I went into this fully open and wanting to be blown away. Instead, I sat and waited, and waited, and waited, whilst every possible random thing happened on the screen. None of it connected, none of it worked and I just sat waiting for something to happen to engage me in it and for it to make some kind of sense, or even to be able to enjoy it.
I have no doubt that for many many people, this movie is great. My best friend adored it. But for me, it was just an exercise in getting through it, so I could get to the end, say I'd seen it, then never watch it again. I fully appreciate I'm in a minority, but it was seriously how I felt. Afterwards I watched the 4K remastered film of Heat, and was able to enjoy a proper masterpiece. Amusingly, Heat is half an hour longer than EEAAO, but the time flew by.
3 out of 3 members found this review helpful.
A mess
- Everything Everywhere All at Once review by sb
FILM & HMMM Ok - I really wanted to like this as a lot of people did but I just found it a complete mess. I got the concept that her life is in chaos but that is nothing compared to the chaos about to be unleshed on her- the idea of a multiverse where she is the most important figure but she has no idea about any of it does have a nice Matrix touch about it ….and the way the entire thing is a metaphor for her dysfunctional life … But it’s so overdone and overplayed all this just gets steam rollered and the editing style is so abrasive it’s almost impossible to work out what is going on…. Yeah is very good with some sly references to her own career and I know Curtis is suppose to be terrible but overall the whole thing just gave me a headache and at 140 minutes more than overstays it’s welcome. So not for me I’m afraid - 2/5
3 out of 6 members found this review helpful.
Exhausting sci-fi absurdism
- Everything Everywhere All at Once review by PD
This mile-a-minute mind-bender from absurdist duo Daniel Kwan and Daniel Scheinert takes as its premise that every conceivable variation of our lives exists in some alternate universe or other, then proceeds to give its harried heroine Evelyn (Michelle Yeoh) a whirlwind tour of all those possibilities, which endeavours to capture the staggering burden of trying to exist in a world of boundless choice. At its heart is the intense parent-child bond in one Asian family — especially the impossible demands that the immigrant mother puts on her daughter — and argues that letting go while loving unconditionally is the answer. A fair enough sentiment, but unfortunately, this is drowned in a bombastic, sensory-overload experience, which throttles us for a truly exhausting two hours and more. There's far too much overcomplicated sci-fi logic, based around the heroine's being some sort of big-brain physicist in another dimension, whereas she learns “you’re living your worst you” in this one — meaning that every other possible Evelyn made more successful life choices. One became a huge Hong Kong action star, others an opera singer, a maid or a teppanyaki-style chef. The Daniels present as many of these realities as possible in short, zany micro-sketches, and there’s even a universe in which everyone has hot dogs for fingers, a scenario which the directors bring back again and again as an extended joke which wasn't that funny first time round, and we get much the same thing with a running gag about a world where people are mind-controlled by raccoons; meanwhile, a giant CG everything bagel comes bursting through a parallel dimension to swallow up everything Evelyn holds dear. Inevitably, the real threat to life, the universe and everything is Joy, Evelyn’s daughter, on whom Mum has piled life’s many disappointments, to the point that Joy finally snapped and reinvented herself as an entity known as Jobu Tupaki, who jumps from universe to universe murdering Evelyns and leaving a trail of chaos in her wake. All of this, especially given the film's rapid editing and Son Lux’s broken-pipes score, just succeeded in giving me a headache and just left me pleased when it was finally all over, I'm afraid.
2 out of 2 members found this review helpful.