This highly original, deliberately disturbing, piece is a tale of domestic-violence revenge with a fairy-tale like quality. The plot's rather basic and the feminist message isn't very subtle, whilst some of the comedic touches are a tad clumsy, but Mirrah Foulkes' script and direction are largely excellent, and there's so many wonderful, ingenious touches that overall it's a highly enjoyable watch (if not for the squeamish or easily offended). The whole cast play their respective parts with great gusto (I suspect they really enjoyed themselves), but Mia Wasikowska is particularly good as Judy, who perfectly combines her vulnerability and inner strength, and Damon Herriman's Punch neatly displays the toxic combination of the demon drink and the need for applause. The design is simply spellbinding, whilst Francois Tetaz's wacky, sinister score which includes pretty much everything from light orchestra to retro prog-rock, is a perfect accompaniment to the incongruous matching of the brutality and absurdity being played out on screen. Terrific stuff.
as expected a real dark twist with logical explanations of the puppet story, enjoyed it though gripping seat at times
Something failed to spark in this reimagining of the Punch and Judy story - I'm not sure why I didn't click with it, but maybe I don't like fairy tales. it reminded me of Red Riding Hood or The Brothers Grimm - the acting and set production evoked thase two films for me. Well-acted, the story doesn't aim to provide us with anything interesting. Made in Australia, I could hear wavy accents all over the place. Sorry, this one felt flat.
3 out of 10