Man Push Cart starts off intense—gritty, quiet, and real, so much so that you’d be hard-pressed to tell it apart from a documentary for the first ten minutes. It’s a film that draws clear inspiration from the neo-realist classic Bicycle Thieves, following Ahmad, a Pakistani immigrant hustling in Manhattan, just trying to get by. No big speeches, no over-explaining—just survival. Ahmad Razvi feels completely natural, and the lonely, early-morning city vibes hit hard. But then, it drifts into melodrama, losing the raw simplicity that made it work. It had so much potential to stay subtle but instead goes for predictable tragedy. Still, like Bicycle Thieves, its best moments capture struggle with heartbreaking honesty. Flawed but a solid slice of neo-realism.
This portrait of a man trapped by circumstance failed to move me because the lead character seems shell-shocked, or is badly acted. I can appreciate a good character piece but this felt hard to get into. It makes sense that the main character doesn't engage much with his customers, he tries to be alone whilst nursing great pain. However, it never once sprang to life and could have been more compelling if the tow lead male actors had shown a bit more verve. It's well filmed and plotted, however, it relies to heavily on actors that just have no power or presence.