Meet John Doe is a classic, but CP's version is very poor quality, which is a hazard with films of this era. The worst culprits among distributors of ELSTREE films, which are terrible quality. Frank Capra films deserve the best quality discs and these can be found out there.
A whip smart movie and a lot of fun. Only spoiled by a truly awful video transfer. I know restoring these movies can be expensive but if they could have spent more time finding a better quality source the results would have been so much better. The movie deserved better than this.
By '41, Hollywood was making films about the threat of Nazis in Germany. But no director was more alert to the menace of fascism at home than Frank Capra. Pressure groups pushed to enter the war on the side of Hitler and Mussolini, with the public made receptive by the depression. He touched on this in '39, with Mr. Smith Goes to Washington.
This time, Capra and screenwriter Robert Riskin, confront the danger of authoritarianism more directly. An unemployed deadbeat (Gary Cooper) is co-opted by a tabloid newshound (Barbara Stanwyck) as an authentic voice of the American people. But both are exploited by a megalomaniacal industrialist/media mogul (Edward Arnold).
And he intends to be the iron hand he claims the masses need. The film has stature because of its historical significance, but it is flawed. The script is longwinded and Capra directs without subtlety. The veneer of comedy is contrived. Cooper is fine, but Stanwyck's histrionics don't distract from implausible plot complications.
Five different endings were shot, which betrays its lack of clarity, yet censorship prevented the only one that would have worked. Sentimentality is a feature of Capra's style, but here it just dilutes the medicine. He has to leave his audience with hope; but fascism would be defeated with tanks and blood, not John Doe clubs.