Director Gerard Johnson's 3rd film is his best ( the first two Tony and Hyena are also very good). Centring around male mental-health, toxic masculinity, steroid abuse, and weight lifting, this is an electric and very scary film. Starring Craig Fairbrass in a career best as the personal trainer from hell, you can't take your eyes off this. The lead Cavan Clerkin (new to me) is very assured as the poor guy who falls under his trainer's spell when his life takes a turn for the worse. Recommended but it is very, very dark and relentless.
I'd seen Hyena many years ago, after it got very good reviews. I liked it because it showed a very different side to the law & also was not afraid to go to very dark places and give us characters who, whilst they were detestable, were also fascinating to follow. Another trait of Gerard Johnson is his ability to get incredible performances from & to attract amazing actors to his films, and this continues with Muscle.
The film is about a down-on-his-luck guy called Simon who is slowly sinking into nothingness and irrelevance. This all changes when he gets taken under the wing of the enigmatic Terry, played by Craig Fairbrass. What follows is about how far down you can sink, whilst thinking that your life is actually going forward and you are making progress.
It also is very clever to make a mockery of a certain element of "Gym culture," which shows how underneath all the muscle and "power," there are deeply lost and misguided people, although mainly men, who make terrible judgements and live in absolute chaos.
The performances are what make this film stand out and elevate it into so much more than you would expect. Craig Fairbrass in particular is the face you have seen before on a hundred straight-to-DVD schlocky mis-fires, which are all terrible and tell basically the same story with as much gratuitous violence as possible. But here he is a complete revelation, showing a great range, along with the presence which before was only used as the one-note image to put on the cover of previous film poster. His character of Terry is a guy who on the surface is un-fearing and confrontational, but in smaller moments is shown to be as weak and scared as the people he so readily mocks.
Opposite him, Cavan Clerkin is also sensational, not only for the journey and arc we go through with him, but also for his Christian Bale level of commitment to the role. His physical transformation from meek and portly office worker to musclebound and thickset gym addict is totally believable. His chemistry with Fairbrass is also totally authentic and real, looking as naturalistic as it's possible to be.
The choice to shoot in black and white is one which many people may think is a gimmic, but actually really works well and fit the tone of the film perfectly. Likewise the soundtrack also beautifully works within the story.
My only issue with this film which prevents it getting 5 stars is that towards the end, it does start to run out of steam and the events become so far-fetched that the credibility is stretched. But the journey you go on is well-worth the watch. I hope that both Fairbrass and Clerkin are able to get more roles like this, which showcase their great talents.
Filed in B&W, the cinematography of this film recalls classic Kitchen Sink Realism of the 60s and in some ways seems to be a modern-day equivalent. The camera work really works so well in B&W, capturing the nuance of shadow very well. Camera angles, and perspective leave the viewer unconfotably close to the action. Gritty, dark, uncomfortable, with seething emotions and a level of sexual explicitness that adds to the brooding atmosphere ( on the Blu-ray release)
I found the extras very interesting and reveal a lot about the development of the film and the character development, and well worth watching.