Rent Never on Sunday (1960)

3.6 of 5 from 66 ratings
1h 29min
Rent Never on Sunday (aka Pote Tin Kyriaki) Online DVD & Blu-ray Rental
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Synopsis:
Glasses are smashing, fingers are snapping and everyone's dancing to the sultry music of the bouzoukies! It's just another glorious moment in the carefree world of Illia (Melina Mercouri), Greece's most radiant lady of the night. Sensuous Illia adores her life, and every man in her seaport paradise adores her. But when Homer (Jules Dassin), a stuffy American intellectual, sails into town and tries to reform her, Illia shows him that she's one free spirit who's happy with her wild life and not about to be tamed.
Actors:
, , , , Mitsos Ligizos, , , , , , , , , Koula Agagiotou,
Directors:
Writers:
Jules Dassin
Others:
Manos Hadjidakis, Deni Vachlioti
Aka:
Pote Tin Kyriaki
Studio:
MGM
Genres:
Drama
Collections:
Acting Up: Top 10 Performances At Cannes, Award Winners, BAFTA Nominations Competition 2025, Oscar Nominations Competition 2025, People of the Pictures, Remembering Gena Rowlands, Top Films
Countries:
Greece
Awards:

1961 Oscar Best Music Original Song

1960 Cannes Best Actress Ex-aequo

BBFC:
Release Date:
11/07/2005
Run Time:
89 minutes
Languages:
English Dolby Digital 1.0 Mono, French Dolby Digital 1.0 Mono, German Dolby Digital 1.0 Mono, Italian Dolby Digital 1.0 Mono, Spanish Dolby Digital 1.0 Mono
Subtitles:
Danish, Dutch, English, English Hard of Hearing, Finnish, French, German Hard of Hearing, Greek, Italian, Spanish
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Widescreen 1.66:1
Colour:
B & W
Bonus:
  • Interactive Menu Screens
  • Chapter Selections

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Reviews (1) of Never on Sunday

Greek Comedy. - Never on Sunday review by Steve

Spoiler Alert
11/03/2025

Dated culture clash comedy that supposes an introverted American academic finds another way of living among the spontaneous and non-materialistic residents of the Athenian port of Piraeus. But then attempts to change a carefree but illiterate sex worker to be more like himself.

So it’s Pygmalion, but set in 1960s Greece. Presumably this was personal for its writer/director Jules Dassin who settled in the country while a political casualty of the Communist blacklist. He also plays the earnest traveller of good intentions. And maybe there is some satire of American imperialism.

This was a box office success, and nominated for five Oscars. Its ethnographic approach to postwar Athens now feels patronising, though nostalgic for a time before mass tourism. The musical theme became hugely popular and will be instantly recognised by anyone who has ever been in a Greek restaurant.

It is most memorable for the performance of Dassin’s future wife, Melina Mercouri, as the happy-go-lucky working girl, a symbol of a naive but uncorrupted proletariat. She is really the whole film. Perhaps this had a greater impact in the ‘50s, a decade of conformity, but now seems ironically to lack spontaneity. 

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