Clarke earned a reputation for making violent and uncompromising dramas for the BBC, and when his Play for Today version of this story was shelved by the broadcaster, he and writer Roy Minton made an even more brutal cinema version. Scum is the best prison drama the UK (probably any country) has ever made, and that includes the many POW films. It is a sensational exposure of the British borstals of that period, soon to be abolished. The story centres around two offenders' fight for the supremacy of their part of the system, to be the 'daddy'. A battle ultimately won by Ray Winstone's Carlin. These prisons socialise the inmates to conform with the prevailing culture, but the values they learn to adhere to, are utterly insane. No one survives. The institution and the sentences are incidental to the real savagery of the experience; these boys brutalise each other. The rape and subsequent suicide of one of the characters is particularly harrowing. This is a film where the lack of budget actually enhances the look of the drama. All is grim, and hostile, and malign.
This is the film that guaranteed Ray Winston the stardom he now has. Winston plays young offender Carling who wants to do his bird keeping his head down. The Daddy of the joint will not let Carling do his time hassle free though, which prompts Carling to take another path to survive the violent regime.
A harrowing portrayal of borstal life and a great performance from the young Winston. If you've been living on Mars, or you're too young to have seen it when it was first released, I would definitely recommend it.
Banned by the BBC, who originally commissioned the film, due to the (what was considered in those days) graphic violence, this still remains an extremely unsettling & upsetting film. Other elements such as disgusting racism & casual violence are also commonplace.
The film focuses on the new inmates to a borstal and their interactions with the staff and fellow kids. It is in many ways an updated Lord of the Flies, except the oppressors are also the adults.
As much as Ray Winstone is in many ways seen as the lead, I was most moved and horrified by Davis who should never have been in the borstal in the first place. The way this vulnerable & slightly mischievous boy is destroyed is heartbreaking to watch, especially the later scenes.
But as much as it is difficult, it is also an incredible production. The young actors involved, as well as the seasoned pros, all do magnetic work. As much as it is difficult to watch, this is sadly a piece of history which needs to be seen, learnt from and yes, enjoyed as great cinema.