I finally managed to watch this film twenty years after being told I should!
Its principal characters are two small girls, Isabel and Ana, and I have to say right at the beginning that they are wonderful. There is nothing remotely cutesy about them, and they are never for one second wooden or self-conscious. The youngest, in particular, has a still-centred naturalness that is a large part of the reason the film works.
Not a lot happens. The movie is an account of a few days in the girls' lives: They see - very significantly - the film "Frankenstein" in the local barn. They go to school. They play. They exchange secrets and theories under the bedclothes. They ignore - or do they? - the frosty relationship between their parents which means they are largely left to their own devices. They play tricks on each other. One of them has a strange, haunting adventure. It's giving nothing away to say, think of "Whistle Down the Wind"...
For me, despite the beautiful photography which brilliantly conveys different times of day and the hugeness of the space surrounding these two small girls, it was the sound that conjured up the atmosphere most effectively: The crackly film in the barn, the buzz of bees, the footsteps echoing through the melancholy, rambling mansion where the children live, the wind on the Sierra, the splash of a stone landing at the bottom of an old well, the children's voices, hushed and solemn, discussing the world in the dark...
There are points when a modern viewer might get impatient (which is why I rated the movie an honest 4 overall). The pace is not snappy. But that serves a purpose and the movie stays just on the right side of being over-indulgent. The adult cast too are excellent, particularly the childrens' father (very much older than he would be in a modern film!) whose sad withdrawal from the world into the sanctuary of nature and animals has rubbed off on little Ana.
The teacher who told me to see it twenty years ago was right!
Like a dream, the beautiful, partially complete El Sur — Victor Erice's second feature (only one of three) — has haunted me for years. It is about children who feel the consequences of love, and perhaps haven't quite understood what they feel or been able to speak of it. I expect The Spirit of the Beehive, his debut, will have a similar effect on me for years to come. Like the best children's stories, everything is seen from a child's point of view, and we are led, softly, by their innocence and lack of understanding about the adult world. Of course, we understand what they do not — here, the lone republican solider bleeding in the sheepfold — and when their imagination takes flights, ours does not join them.
The Spirit of the Beehive casts a long shadow, its influence can be felt in Pan's Labyrinth, Cinema Paradiso, The Year My Voice Broke, and The Quiet Girl (these spring immediately to mind). It's a gorgeous film about childhood beliefs and the end of innocence. It's also a tribute to cinema and the thrall early cinema visits hold over our lives. Superb, short in running time, atmospheric and very moving. Ana Torrent and Isabel Terraira as the children are fantastic. Unmissable.