FW Murnau's dazzling expressionism and stunning camera effects make this a film unlike any other. The lavish deco sets of the big city recall the ambition of Metropolis. It is the ultimate example of the visual reach of silent cinema, which achieved its apogee just as it was made redundant by Al Jolson singing Mammy in the Jazz Singer.
It is a simple tale of a rural couple whose marriage is threatened by poverty and a predatory woman from the city. She convinces the husband to kill his wife and be free. He proves unable to do so, but the wife gets the idea... He must seek her forgiveness... but fate has a final twist to impart.
George O'Brien and Janet Gaynor are devastating as the couple, and then poignantly comical as they rediscover their love on a trip to the bright lights. There's a sweet scene when they walk out of a church having watched a wedding, and the passing public assume it is they who just got married.
The story is realistic, but the frame is full of enchantment. It's a heartbreaker, but artistic too, and that's the magic of Murnau's achievement and his testament. And the wonder of all cinema. A hundred years on, he still spellbinds his audience, and provokes our tears.
Didnt know it was a Silent Film-very melodramatic,simple story & very dated.Probably in its time original but by modern standards it doesnt stand up as a resonable watch. Glad that I have now seen it & can write it off my bucket list.
Norman.