In 1955, the release of the French thriller Les Diaboliques reset the genre for the next ten years, with its mood of psychological uncertainty, and the ostentatiously twisty plot capped by a big final reveal which hopefully upends the audience's expectations. No studio ploughed this furrow deeper than Hammer.
And no film ripped off the motifs of Henri-Georges Clouzot's classic as audaciously as Taste of Fear. There's even a body hidden in a swimming pool... But no matter, the illusion works again and this is the best of the Hammer psychological suspense films. The performances are persuasive and director Seth Holt evokes a pleasing noir sensibility.
Susan Strasbourg calls on the luxurious coastal mansion of her estranged, wealthy father only to be informed by his new wife (Ann Todd) that he has been suddenly called away. The teenager is vulnerable because she is confined to a wheelchair, and soon she begins to be confronted by her father's corpse. Is she crazy, or is the stepmother...
Well, the audience is requested by the management of the cinema not to divulge the ending of this exciting suspense thriller. It's a woman in peril film which benefits from a quietly menacing portrayal by Ann Todd. Aspects of the plot are contrived, and don't work at all on a second viewing. But, it remains a fun, entertaining shocker.