Clint plays a manipulative seducer - excellent performances all round
- The Beguiled review by RP
Just catching up with a few Clint Eastwood films that are either rarely seen nowadays or that I only saw many years ago - 'The Beguiled' fits both these categories.
Set near the end of the American civil war, Clint play a wounded Union soldier who is taken in and cared for by a small girl's academy in a Confederate state. Clint's character is a handsome charmer who has a devastating effect on all the women - and the young girls. Handsome he may be, but he is an accomplished, manipulative seducer and the jealous rivalries that ensue lead to his downfall and eventual demise.
This is a great film - a small, intense story and a small cast with convincing performances from all. The director is the renowned Don Siegel who not only made the original 'Invasion of the Body Snatchers' but several films with Clint, including the very different 'Dirty Harry' in the same year as 'The Beguiled'.
Recommended. 4/5 stars.
2 out of 2 members found this review helpful.
Gritty and Gothic
- The Beguiled review by Cato
This was Eastwood's 17th film, and showed him more than capable of tackling a film somewhat more different, and some might say perhaps more difficult than his previous efforts. The story seems to become more Gothically inspired as it builds up towards it's rather graphical denouement, nothing wrong with that, and I rather liked the Pink Floydish elements in the score. It's certainly a very different film from Clint, this one. A somewhat strange film, but well worth watching.
2 out of 2 members found this review helpful.
Love it
- The Beguiled review by CP Customer
This less well-known Eastwood film (made just before Dirty Harry) was a commercial flop but is well-worth seeing. The story is simple: put a manipulative pretty-boy in a brooding community of isolated females and watch the drama (melodrama?) emerge. The unreal plot is produced with gritty realism. No character is excused, and in one way or another, they all get what they deserve.
1 out of 1 members found this review helpful.
Misogyny: Beguiled and Outplayed
- The Beguiled review by griggs
It’s funny: on paper this has “notorious misfire” written all over it. Wrong-star, wrong-era, wrong kind of provocation. And yet Siegel gets his hooks in early with that swampy, sickly atmosphere and a real sense of danger. He turns a Civil War girls’ boarding school into a lace-trimmed pressure cooker — soft light, hard edges, etiquette stretched to snapping point.
Eastwood turns up wounded, gets carried inside, and immediately starts running the place like it’s a saloon he’s trying to win. That “old enough for kisses” line lands like a warning label. The charm isn’t charm; it’s technique. The flirtation isn’t romance; it’s target acquisition. Watching the star image sour in real time is half the film’s nasty pleasure.
And it’s a good reminder — The Searchers understands this too — that being on the side of the Union, being against slavery, doesn’t magic you into a decent human being. McBurney lies as easily as he breathes, plays the women off each other, grabs for control, then reaches for entitlement when it stops working. When the mask slips, it’s threats, force, the whole ugly toolbox.
The best bit is the quiet double-cross. It looks like it’s gearing up to tell a smug little story about “women behaving badly”, then it betrays that idea and leaves you with something sharper: a predator discovering these women aren’t pawns, and that payback can feel—yes—cathartic. The real taboo charge isn’t only him; it’s the way desire in that house slides sideways, a queer current under the lace.
It’s an Eastwood star vehicle that starts to feel like an Eastwood star autopsy. Siegel serves Southern Gothic like poisoned pudding: sweet on the tongue, lethal going down. McBurney thinks he’s the spider, but the web isn’t his, and this house has its own rules.
1 out of 1 members found this review helpful.