Superb early 1960s sci-fi disaster film. See it before the world ends!
- The Day the Earth Caught Fire review by RP
Filmed in black-and-white with tinted yellow/orange opening and closing sequences, this is a superb early 1960s period sci-fi disaster film. Sharp dialogue (the film won a BAFTA for Best Screenplay), good acting (some of it isn't acting - the recently retired editor of the 'Daily Express' played himself), topical even today (end of the world through climate change, anybody?).
The story goes like this: simultaneous nuclear tests at the North and South Poles tilt the earth on its axis and cause extreme change of climate. Later it turns out that the orbit of the earth has also been changed. That's clearly improbable, but the story is told through the eyes of individuals whose lives are affected by the changes and that's what makes it gripping stuff. Humanity is very fragile.
The story is built around a reporter (played by Edward Judd) working for the 'Daily Express', his colleagues (including the always excellent Leo McKern) and the girl he meets at the Met Office (Janet Munro). The glimpses of the 'old' Fleet Street and the workings of a real-life newspaper of the period give the film a realistic feel (although the Canadian accent of Bernard Braden who plays the news editor seems a little out of place). Period details abound: typewriters, carbon paper, telex, Roneo copying machines, printing presses, smoking, Morris Minor cars, a working Battersea power station, Battersea funfair with wooden roller coaster, police in 'proper' helmets and uniforms, CND rallies, boys in short trousers, even the nuclear bomb tests themselves - all give a glimpse of a world gone by, but in this case place the film firmly in a period of near history.
The film ends on a downbeat note with a countdown to a corrective nuclear explosion - and a nicely ambiguous ending is provided by newspaper headlines. Superb stuff - 5/5 stars - highly recommended.
[Aside 1: In its day this was X-rated and was regarded as quite risqué, with a brief glimpse of Janet Munro's chest :) I remember sneaking in to see this at the cinema when I was far too young for an X certificate film. The DVD also appears to be a direct transfer from film, as the original British Board Of Film Censors certificate is still included.]
[Aside 2: My copy of this film came in a Classic Sci-Fi Collection box set which when I bought it was excellent value - you can probably pick it up second hand on eBay]
5 out of 5 members found this review helpful.
Classic Sci-fi.
- The Day the Earth Caught Fire review by Steve
When I first saw Val Guest's sci-fi classic, it was the witty script (Wolf Mankowitz) and the energetic thrust of the blokish Fleet Street backchat that made it so strong. Plus the contemporary doomsday payoff as the cold war powers' nuclear escalation leans into the apocalypse.
But now, it is the astonishing foresight- a coincidence I suppose- of its theme of global warming meltdown, as mankind looks to scientific solutions for political failures. Which today makes it a genre landmark, and incredibly prophetic.
It focuses on a daily newspaper (based on the Express) as it covers the last few days of life on earth in a dystopian London, and in particular on Edward Judd's recovering alcoholic and recently divorced hotshot reporter. Maybe the crisis is a metaphor for his unbalanced, ruined psyche?
Judd and Janet Monro, as the last meteorologist standing, are properly sexy and share an abundance of screen chemistry. The locations and visual atmospherics of an unravelling, burned out world are magnificent, including the tinted widescreen sunrise at the start of the film. It's probably the best ever British sci-fi. But it's much more than that.
2 out of 2 members found this review helpful.
Brilliant story, dreadful acting
- The Day the Earth Caught Fire review by JD
I would like to start with Arthur Christiansen, who was the editor of the Daily Express until 1957 (4 years before the film was released). He may have been a good journalist but he is a dreadful actor. If you tried to act badly it would probably not be as impressively awful. Unfortunately the painfully bad acting ran through the cast with the lead actor Edward Judd (who is he) making a ham of it. The only actor with any credibility was Janet Munro (who later sadly died at the age of 38). Even Leo McKern was not as good as usual. John Barron plays a minor role very well (later to become CJ in Reginald Perrin).
With the negative points out of the way, a great sci-fi with a nice plot based on the effect of knocking the earth out of its previous orbit. It is a beautiful film in every sense with inventive cinematography.
2 out of 2 members found this review helpful.
Final Edition?
- The Day the Earth Caught Fire review by CH
Time was when Fleet Street was in Fleet Street and newspapers dealt in news. True to such cinematic form, The Day the Earth Caught Fire (1961) has several scenes of the latest issue clattering through the presses and the front page filling the screen with a thud as events unfurl. In this case, with an original script by Wolf Mankowitz and director Val Guest, it turns around the contemporary fear of the Bomb. It has not killed anybody recently but, as two Daily Express reporters discover, several tests of it have tipped the planet off the axis which brought and sustained life up and under these shores.
This is no science-fiction extravaganza. The effects are minimal but well used, and, as is the newspaper, all is in black and white. Except the characters. Here are people, in all their variety, each containing multitudes.
Leo McKern (who recalls that it was all made in an astonishing five weeks) is the newspaper's science correspondent and Edward Judd a reporter forever on the trail of stories while brooding on the divorce which means he rarely sees his son. Guest re-created the Express offices – and used the real-life staff member Arthur Christiansen to the play the Editor (as he does capably enough). Along the way Judd meets Janet Munro, a Government source, who also provides him with sultry distraction in her small flat and at the funfair in Battersea Park. Guest was always very good at making use of locations, and here all the more so as that tilt in the axis brings floods and cyclones while the Prime Minister intones from Downing Street – and, for a few seconds, a helmeted Michael Caine attempts to direct panicking drivers.
All of which means that it has as much contemporary relevance as it did in that period when Bertrand Russell addressed crowds in Trafalgar Square. With the climate emergency sending the planet out of kilter by other means, here is a drama as troubling, and involving, as ever. A gem which gleams from its sepia-toned opening and for the following ninety minutes.
1 out of 1 members found this review helpful.
Excellent British Scifi Thriller
- The Day the Earth Caught Fire review by GI
A remarkable British science fiction apocalypse film where the detonation of two massive nuclear bombs in simultaneous tests by the USA and USSR inadvertently causes the Earth to be thrown off it's axis, which causes huge weather changes and moves the planet closer to the sun. This threatens the very survival of humanity. The film is shot and told with a documentary style realism and through the cut and thrust of a Fleet Street newspaper where the reporters try to get to the bottom of the Government cover up. It's an unusual film for its time because it's not a huge effects film but mostly a quite intimate story that was very risqué with some nudity and the occasional swear word. But the film is more marked by its bleak narrative, it's not a gung-ho heroic film but a film that looks into the dire consequences of the proliferation of nuclear testing, tapping into the rising public fear of atomic war and the escalation of the Cold War and shows the increase in CND popularity in British society. The film also offers no real solution to the major catastrophe that man causes in the story. So in that sense it's a film that stands out against anything that Hollywood was producing at the time. New star Edward Judd plays the heavy drinking, cynical journalist that breaks the story and the realistic portrayal of a major British newspaper of the time was seen as something very bold. At the heart there's a tender love story to highlight the loss mankind will face and some of the effects, including a dried up Thames river and a heavy fog that engulfs London, are quite impressive even when viewed today. The gradual breakdown of public services including water supplies are very thought provoking. From the perspective of film history this is well worth checking out especially as director Val Guest was an innovative filmmaker and who had made the excellent Quatermass films. If you are a science fiction fan and also love British cinema then this is well worth seeking out. It was recently restored by the British Film Institute and can be seen it's all its glory. Keen eyed viewers will spot Michael Caine in an early screen role.
1 out of 1 members found this review helpful.