A stunning & unbearably tense film looking at the addiction to war, with flawless performances
- The Hurt Locker review by TB
Katherine Bigelow has had an incredible & chequered career, filled with interesting films as well incredible ones. Even when they don't work as a whole, they are still filled with ambition, such as Strange Days, which was so far ahead of its time, today it is scary to watch it.
After the disappointment & serious financial failure of K19 The Widowmaker, there was a 6 year gap before she resurfaced with, in comparison with the massive budgetary opulence of K19, a tiny film made fairly quietly in the Middle East about bomb disposal experts. And, having seen both films, I am actually pleased in a way that there was the failure of K19, because it forced her to go back to the small film world, where often the best films are created.
The Hurt Locker is incredible. Even though it has come into some criticism because of the various elements of it that are absolutely not in any way based in fact, that has to be overlooked when you factor in that this is a piece of entertainment using drama to effectively convey it's message. It opens with a tight-knit team lead by Guy Pearce, defusing a roadside bomb in Iraq. Starting as it means to go on, it starts relaxed & jokey then flips within a second to fear, panic & horror. Pearce's character is killed & then a new Sergeant is brought in to lead the team.
Sergeant First Class James is a totally different kettle of fish: rude, abrasive, refusing to follow orders, communicate with his team or just be a team player in general. He is also addicted to the rush of war & conflict, actively seeking it out, even though he puts everyone else in danger. Thankfully, in the hands of Jeremy Renner, he is also horrifyingly gripping to watch, even though in battle you wouldn't want him anywhere near you, despite his extensive skill in bomb defusal.
The other team members are also extremely diverse & complex characters. Sanborn is the brash, tough-talking sergeant who after losing his close friend in the opening credits, then has to balance that grief with trying to manage someone as unpredictable as the bombs they are defusing. The aggression & disagreements between them are electric. Finally, Eldridge is the young Specialist, wracked with PTSD & totally on edge after the horror of the opening. He is probably the character who could most be seen as us the audience, giving us that portal into an unforgiving & everlasting nightmare you never wake up from.
As the 3 men brave danger together, they start to work together better, although the joy of the story is the total unpredictability of what could happen. There are also some welcome cameo's, particularly from Ralph Fiennes as a highly strung & very English bounty hunter.
But what makes this film work more than anything else is how well it is directed & scripted. Bigelow's mastery of film is shown here as second to none. Whether directing small moments where there is silence but also emotion screaming out of the screen, through to full on action scenes, it is perfect. The look, colour palette & sound especially are also brilliant. The casting is perfect & this was the film that in many ways launched Renner & Mackie's careers.
A film that grabs you, doesn't let go & then leaves you breathless at the end, wanting more. Just like the greatest films should do.
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