It would be easy to dismiss this film as being contrived but then it is a work of fiction.
If like us you can suspend belief, this film should leave you slightly amused with a warm fuzzy feeling inside having been entertained by something more Dawson's Creek than Lord of the Flies. The story has some similarities to Stand By Me, but frankly hurts your head much less.
Not fast-paced or racy, this film is a gentle & slightly funny affair best suited to a Sunday afternoon sofa ride sharing popcorn with someone you love.
Amusingly fake bumfluff aside, we'll probably be seeing some of these young actors again.
... because, whilst not a showstopper, I reckon this film has a lot to offer on a Saturday night. Nick Robinson (who plays Joe) has an amusingly mobile face that he uses to good effect to express his anguish when enduring his father's masterful, deadpan put-downs. The filming is rather like "Hide your smiling faces" in its use of close-ups of some of the local wildlife, yet in other respects is much lighter and none the worse for that.
This film should have been called "Ferris Bueller - The Prequel". While not as good as Ferris Bueller's Day Off, it has the same themes - smart-ass kid growing up, trouble with dysfunctional parents, having adventures and emerging older and maybe a bit wiser. It has the same mild wittiness and unlikely scenarios. Basically if you liked Ferris, this film will be good to relax to.
The first film from director Jordan Vogt-Roberts, Kings of Summer, previously titled Toy’s House after the central character Joe Toy, is an off kilter, imaginative and observant coming of age movie about three boys who decide to leave the rule and oppression of their parents behind and build a house in the woods, living in harmony with nature.
After catching the attention of audiences and viewers at this year’s Sundance Film Festival (though ultimately missing out on the Grand Jury Prize for Drama to Ryan Coogler’s Fruitvale Station) I was quite excited about the prospect of watching a film that, according to most other reviewers, gave a fresh and observant insight into the trials of youth.
And gladly I was not disappointed; with some great, albeit unusual comedy, Kings of Summer was exactly what it had professed to be. With some genuinely beautiful scenes (both emotionally and cinematically) the film takes the desire for independence inherent in every teenage boy to it’s most literal meaning – taking them out of civilisation into a place of their own creation, where they rule rather than obey.
This exploration of freedom, what it means to the boys and how we must all explore it to truly develop, is both the narrative and emotional backbone of the film – though it would be nothing without the excellent performances from the adorable young men at it’s heart. Most worthy of note in this area is ex-Hannah Montana star Moises Arias, who with the Secret Life of Arriety and Despicable Me 2 already under his belt looks absolutely brimming with talent and potential for his future career.
Though some of the more unusual aspects of the film may alienate the more conservative amongst us, there is something genuinely lovely about Kings of Summer for those emotionally open and hopeful enough to endure occasional Wes-Anderson-like artistry of the piece.