A narrow partition divides the raw from the melodramatic. Slip the wrong way and a film can rattle as much as a studio set. The Man with the Golden Arm, which was filmed in Hollywood rather than the Chicago of Nelson Algren's novel, does not entirely escape this. It depicts a drug addict (Sinatra) who is fresh from gaol and clean awhile before again caught in criminal, card-dealing circles while his attentions are given to women, Kim Novak and Eleanor Parker) neither of whom leads a blameless existence. Along with a roster of sharpsters and those with an eye on the main chance (including Woody Allen lookalike Arnold Stang), Sinatra's is a torrid existence well drawn by that variable director Preminger as the jazz score (including a classic scene of Sinatra's drumming) echoes across scenes in many a boarding-house room.