Funny and sometimes emotional coming of age comedy, features an awdward teenage boy who finds himself dragged to a beach house for the summer with his Mother, her ghastly new boyfiriend and his equally unpleasant daugher.
He finds a bicycle and cycles around the town during the long days to escape his family situation and discovers a nearby water amusement park where he is befriended by the Manager, (Sam Rockwell) who takes him under his wing.
If you liked last year's The Kings of Summer, you will find this to be the perfect companion piece as they have much in common.
I was expecting some trashy, uber-American, unfunny comedy in this film, but was pleasantly surprised.
This movie is genuinely funny and touching, and hits more than a few nails on heads in its portrayal of a family breakdown and parent-child relationships.
2 points: 1) I have NO idea why the title is what it is - I suppose they had to call it something but it bears not relevance to the film; 2) it is massively better than the tedious and awful Kings of Summer - a really boring, silly. smug and disappointing 1-star movie.
I give this 4 stars. Not perfect, but some decent characters - major and minor - and a snappy script, make this an entertaining and thought-provoking film. Good music too!
This was my welcome back to Cinema Paradiso choice since 2018 - can't lie I was genuinely excited to get a film through the post which I realise makes me very old school!
Anyhow - this film was in a Youtube list of 8 movies that will improve your life (cheesy I know!)
Well - loved this film from the opening scene to the end. Great cast, brilliant and funny script as well as being quite an emotional journey too.
Takes you back to youthful summers and also makes you do a life audit of where you're at now.
Great to see Steve Carell play against type. Brilliant.
I’m a firm believer that you can hardly ever go wrong with a good coming of age story and The Way, Way Back both reinforces my position and weakens it at the same time. On the one hand its a solid film with some brilliant comedic timing. On the other hand it takes no risks as it uses every cliched plot contrivance possible in its journey to forced enlightenment.
Telling the story of Duncan (Liam James), a shy, unpopular kid who has been forced to vacation at his mother Pam’s (Toni Collette) new boyfriends house. What Duncan finds when he gets there is adults running wild everywhere he goes, even the rundown water park nearby, a place he finds he might well fit in with this group of unusual adults.
Clever and relevant, The Way Way Back misses plenty of opportunities during its run while still showing the promise and potential of writer director duo Nat Faxon and Jim Rash, the minds behind The Descendants, a sombre black comedy with a near perfect script. The two have assembled an impressive cast of misfits and parents from Sam Rockwell’s manchild Owen to Amanda Peet as overly sexed temptress Joan.
The problem is that the story doesn’t feel lived in, it lacks depth. It’s a light hearted summer of supposed fun that never really does much aging, Duncan’s empowerment is slight and unemotional with the series of tired side stories wrapping up in gag inducing fashion instead of coming to their logical conclusion.
While Rockwell is fantastic and the rest of the cast provide laughs aplenty (Allison Janney as a constantly drunk party girl is another highlight) this story never comes to fruition in the ways it really should. Unfortunately for this comedy duo, their story didn’t have all that much story.