This is a really first rate film - and nice and efficient, at 90 minutes - based on Susan Hill's superb classic ghost story The Woman in Black. I thoroughly enjoyed this - it kept me and others with me rooted to our seats, and on the edge of them, and made me jump more than once (the director's intention of course!) Nicely filmed and with period details correct; creepy imagery, even the CGI. My only criticism is that two of the main actors were middle-aged men who looked too similar to each other: film makers usually do this when casting actresses - many films seem to have 2 or 3 young blonde women in them, so confusion results! So when you watch this, concentrate on who is who! BUT apart from that annoyance, this is a nice neat efficient creepy ghost story, happily only 90 minutes long (Hollywood would have added some unnecessary back story and made it 2 hours and more...yawn...). Recommended.
I didn't realise that Hammer Films were still in business but they have produced a good old-fashioned scary horror film here. Not a gory slash movie but a suspenseful, chilling ghost story in the MR James tradition. You will jump out of your seat at regular intervals. Daniel Radcliffe does, I think, do a good job as the lead despite the disadvantage of being obviously much too young to have been married, lost his wife in childbirth and acquired a seven year old son within the first five minutes of the film.
Scary, Gothic-style, good old-fashioned Hammer ghost film!
Radcliffe adopts a fixed 'troubled' look all the way through....the real star, though, is the fantastic old house.
Fab Victorian costumes, sets and props help to create a real spooky feel all the way through.. If you like suspense and atmosphere above gory special effects, you will like it.
Star of the Harry Potter franchise Daniel Radcliffe plays a young lawyer in Victorian England who relocates to a remote village, to discover the ghost of a mourning woman is terrorizing the locals.
Made under the banner of the British horror movie studio, Hammer Horror, The Woman in Black is an interesting addition to the wealth of adaptations of Susan Hill’s 1980’s novel. This interpretation combines the traditional Victorian horror style with the dark sensitivities of modern cinema go-ers and does so quite effectively. The Woman in Black is a surprisingly creepy and genuinely spooky horror film; filled with did-you-or-didn’t-you see that moments, and elements present only in some of the tensest of modern thrillers.
I was genuinely impressed by The Woman in Black and feel it could have been a truly remarkable movie, if not for one very poor choice. Radcliffe, cast here as a grieving single father, is not only ill suited to the role but also performs poorly in it. I struggled throughout to see Radcliffe as a father based not only on his physical not-really-a-grown-up-yet appearance but also on the globally accepted association of him as that wizard with the scar.
Furthermore, I also felt he lacked the emotion that was required for the role; haunted by a ghost who has experienced the most harrowing possibility to any parent should move Radcliffe in such a way that his parental and instinctual fear should both be abundantly clear to any viewer; what we are instead treated to is a rather slack and shocked facial expression.
It really is a terrible shame; I would have far rather watched an unknown actor play the role well than someone famous with the on screen presence of a flobberworm.