Rent Thieves' Highway (1949)

3.8 of 5 from 80 ratings
1h 30min
Rent Thieves' Highway Online DVD & Blu-ray Rental
  • General info
  • Available formats
Synopsis:
Returning from the war to discover his father has been crippled in an altercation with a brutish mob-connected kingpin, Nick Garcos (Richard Conte) puts aside thoughts of settling down and instead focuses them on revenge. He buys an old army surplus truck and hits the road - a 36-hour non-stop drive to San Francisco and, he hopes, a little justice...
Actors:
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Directors:
Producers:
Robert Bassler
Writers:
A.I. Bezzerides
Studio:
20th Century Fox
Genres:
Classics, Drama, Thrillers
Collections:
10 Films to Watch if You Like: Day For Night, Cinema Paradiso's 2023 Centenary Club: Part 1, Films to Watch If You Like..., A Brief History of Film...
BBFC:
Release Date:
13/03/2006
Run Time:
90 minutes
Languages:
English Dolby Digital 2.0 Mono, German Dolby Digital 2.0 Mono, Italian Dolby Digital 2.0 Mono
Subtitles:
Dutch, English Hard of Hearing, French, German, Italian
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Full Screen 1.33:1 / 4:3
Colour:
B & W
BBFC:
Release Date:
19/10/2015
Run Time:
94 minutes
Languages:
English Dolby Digital 1.0, English LPCM Mono
Subtitles:
English Hard of Hearing
Formats:
Pal
Aspect Ratio:
Full Screen 1.37:1
Colour:
B & W
BLU-RAY Regions:
B
Bonus:
  • The Long Haul of A.I. Bezzerides, a 55-minute documentary portrait of Thieves' Highway's author and screenwriter, featuring contributions from Bezzerides, director Jules Dassin and writers George P. Pelecanos (The Wire), Mickey Spillane (Kiss Me Deadly) and Barry Gifford (Lost Highway)
  • The Fruits of Labour, a new video essay about the genesis, production, reception and politics of Thieves' Highway by Frank Krutnik, author of In a Lonely Street: Film Noir, Genre, Masculinity Selected scene and character commentaries by Frank Krutnik
  • Stills Gallery
  • Theatrical Trailer

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Reviews (5) of Thieves' Highway

"Soft hands..." "Sharp fingers!" - Thieves' Highway review by CH

Spoiler Alert
15/01/2020

Such dialogue shows that we are in noir territory - in this case, the countryside outside San Francisco with truckloads of apples en route to a wholesale market under the thumb of a chiseller who feels affronted at being asked to pay for the produce he sells on to willing customers.

Trucking - Hell Drivers, Duel - lends itself to the movies (would that the English version of They Drive by Night would re-emerge and which inspired Graham Greene to extol its depiction of "monstrous six-wheeled lorries plunging through the rain" of the Great North Road). Thieves' Highway was adapted by A. I. Bezzarides from his novel, and a love element does not make this fruit soft in any way. On the contrary, Valentine Cortese (who appeared years later to memorable effect in Truffaut's film-about-a-film La Nuit Americaine) is an exemplar of the sultry. Sizzling are her scenes as something of a hooker sent by a vegetable wholesaler to divert an Army veteran (whose father has been handicapped by that wholesaler).

If, as the previous reviewer here suggests, it is a movie of parts that do not quite gel, that does not matter: those parts are so strong and it all moves at such a pace that one is carried along. These are ninety minutes of your life you will not get back - and be glad they were so well spent.

1 out of 1 members found this review helpful.

Brutal leftist noir - Thieves' Highway review by NP

Spoiler Alert
20/02/2022

The soft (studio mandated?) ending unfortunately undercuts the bitter cynicism on display elsewhere, especially when the cop tells our hero that he should leave it to the police to take on crooks like Figlia (yeah, right!). Nonetheless, this is a surprisingly explicit – arguably slightly heavy-handed – and impressively crafted indictment of capitalism red in tooth and claw.

0 out of 0 members found this review helpful.

Trucker noir. - Thieves' Highway review by Steve

Spoiler Alert
14/02/2021

This film noir is an overt critique of capitalism from the later blacklisted director Jules Dassin. It's set within the haulage business, which is exposed an unregulated and criminal racket. Richard Conte playes an ex-GI who comes home to find his wildcat haulier father has lost his legs after being violently gypped by a crooked wholesaler (Lee J. Cobb).

The son buys a truck and manipulates a confrontation. But Cobb pays a mercenary French immigrant and sex worker (Valentina Cortese) to distract the driver while his load is stolen. In Hollywood, Dassin made message films hidden in B productions more likely to get past the studio bosses and censors. But this work of dissent is less oblique than most.

Conte eventually orates an editorial calling for legislated and unionised working practice! Apart from the vengeful son, everyone in this world is corrupt, even the relatively decent people. The war hero's sweet childhood girlfriend drops him the second she finds he is broke. Money warps everything it touches.

The heart of the film is the slow burn romance between Conte and Cortese which contrasts his uncommon honesty, with her pragmatic cynicism. She knows that to live honestly is not possible and love is just another commodity to sell. Cortese has a powerful, emotive presence. It's reminiscent of prewar French poetic realism; American pulp fiction told with a European aesthetic. 

0 out of 0 members found this review helpful.

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