1993 Venice Film Festival Golden Lion Ex-aequo
I saw Three Colour Blue, many years ago and watching it again recently I found that it was as emotional as all those years ago! Juliette Binoche who plays the part of a woman whose husband, and daughter die in a car crash finds a way to overcome her loss through simple things, and she is even able to take in the fact that her husband was having a relationship with another woman! Juliette eventually accepts the fact that her husband's music must outlive him.
Well it is supposed to be about liberty; one of the French revolutions' 3 ideals of equality liberty and fraternity. However, there are issues of equality too as the female character (Binoche) is widowed and struggles to liberate herself from her past. Was she always in the shadow of her husband a famous composer? Was her talent stifled by his? Emotionally intense, the film doesn't let you off the hook as you experience her misery and pain almost to the point of claustrophobia.
I enjoyed it immensely but some may find it too grim to be entertaining. A heavy drama!
FILM & REVIEW Hard to belive this is almost 30 years old and is still an astounding piece of cinema. Binoche plays Julie who loses her husband and daughter in a car crash and cuts herself off completely from life. He was a famous composer working on a symphony for the reunification of Europe (Its set in 1991) but she destroys all the manuscripts , moves out of the chateau and rents a chilly apartment in Paris. She has a brief fling with her husbands best friend Regent (Benoit) but tells him he will never see her again. She tries to move on but the music will not leave her in peace as fragments keep intruding as it’s implied that she was responsible for a lot of the work. She befriends a local hooker who she saves from eviction and visits her mother who has dementia and one night sees Regent on tv saying he will try and finish the final symphony as the publisher kept a copy. Julie makes contact with Regent and discovers her husband had a long term mistress who is carrying his child - he died without knowing and all these events begin to see Julie begin to re-engage with life. It’s one if the finest examples of loss, grief and redemption on screen - Binoche gives one of her finest performances underpaying all the emotion which is more profound used this way. Kieslowski uses a series of fades in each scene as the music soars acting as a counterpoint to the events and the final montage as the music is completed is just beautiful. As always with his films the score by Priesner is as important as the visuals……it’s really is a stunning film and as always you wonder if Kieslowski handn’t been taken at 54 just many more works like this he could have made - 5/5