It’s a familiar story. Not this tale of Tony, who is apparently mentally handicapped, and his mother Mudi (Maud de Belleroche) and friends’ attempts to rid him of his virginity, amidst exotic, sun-kissed locations. I mean the story of a film with a certain reputation presumed lost – or woefully incomplete – found and meticulously reconstructed, proving to be … mostly unspectacular.
Not since Godzilla trudged out of the water to confront a shabby Japanese King Kong back in 1962 have two more mighty icons shared screen time. Seeing two giants of giallo films – Rosalba Neri (Paola) and Edwige Fenech (Ulla) – appearing together is an almost surreal scene, and it is this pairing that probably ensures interest in ‘Top Sensation’. The result spends vast amounts of its running time exploring the tremendous environment and the equally tremendous star players.
Visually, it is great. The locations are incredible and lend themselves entirely to the casual paradise in which these rich layabouts live their lives. Fenech and Neri are masters of their craft: naturally beautiful and exuding casual confidence and a sense of presence, it is a pity this is the only time they are billed together. There’s a scene featuring Fenech and a goat that is as mind-boggling as it sounds.
Mudi is pretty fixated on her son’s plight, going to the lengths of implanting hidden cameras in the yacht and copping off with Paola’s husband Aldo (Maurizio Bonuglia). The stinger here is that Tony, despite being surrounded by such wanton temptation, falls for uncorrupted local farm girl Beba (Ewa Thulin). Only then do events turn particularly strange and nasty, and the shift from mild sex-romp to drama becomes apparent. This interesting development almost feels tacked on, it arrives so late but is still very effective and unexpected.
The final scene leaves things open-ended but fairly gloomy, which is a good contrast to the sunny, carefree hi-jinks earlier on.