This is often adopted as the last of the classic period of film noir because it makes such an auspicious landmark. Orson Welles spins pulp fiction into gold yet again. He wrote the cynical, quotable script and dominates the picture as the huge, corrupt, infallible police chief, Hank Quinlan.
Charlton Heston plays a Mexican narcotics agent passing through a US/Mexico border town with his new wife (Janet Leigh) who witnesses the murder of a US construction boss and his showgirl date. Quinlan investigates through his usual unorthodox methods while the outsider researches the detective, amassing evidence of 30 years of unsafe convictions.
Welles relates the complicated narrative fairly well, but this is just a framework for his visual flair and effusive wit. The 3m20s uncut opening shot of a bomb being planted in a car at customs and then driven through the border town is legendary. The climax is similarly audacious.
There is an expressionist look with some some splendidly grotesque close-ups. Henry Mancini's wild, cool, percussive jazz score enhances the visual art. Maybe Heston isn't the best fit as a Mexican. But Welles is sensational as a freakish sort of monster. The screenplay is full of noir poetry, topped by Marlene Dietrich's nihilistic, immortal final couplet...
Arguably Orson Welles greatest film, certainly as director and possibly for acting too. A dark, noir thriller that pushed boundaries when it was made and had a controversial release after the studio made cuts that Welles hated. In an impassioned letter he laid out how he thought the film should be shown and in 1998 a restored version was released based on the vision written in this letter. I recommend this version to anyone watching the film today. It's a masterpiece of American cinema and has one of the most odious and malevolent characters ever seen on film in the form of Captain Hank Quinlan, played by Welles himself in heavy make up. It's a tour de force performance and one you'll not easily forget. Set in a small Texas/Mexico border town and a car bomb explodes killing a man and woman. The explosion occurs on the US side of the border but its clear the device was planted on the Mexican side so the investigation is led by famed cop Quinlan assisted by Vargas (Charlton Heston), a Mexican detective who was on his honeymoon and has to look after his lovely wife (Janet Leigh). Quinlan soon has a suspect but when Vargas sees him plant evidence he begins to look into Quinlan's motives and past history. Starting with one of the most famous opening scenes in cinema history, a long tracking shot that culminates in the explosion and creating a tension as the car with the bomb navigates around the open streets and with a plot that was purposely designed to be confusing for the audience this is a film that really drags you in. With it's depictions of drugs, police corruption, perverse sex and violence this was a film that challenged the boundaries of the cinematic art form. It's been a huge influence since (check out 1997s L.A. Confidential as an example) and boasts a fantastic cast including Marlene Dietrich. A film I urge every film fan to see at least once, it maybe challenging to a modern audience but believe me this is an important and quite marvellous film.
Good ol’ Orson Welles! Always up for a novel approach….in directing and acting.
Can’t put together a coherent critique like others, I would just say a very enjoyable film with some enjoyable acting and story line.