Twin Peaks was cancelled after season 2 and it ended with a cliff hanger, therefore I was expecting this film to tie up the loose ends. Instead, it's a prequel to the TV series, showing us how Laura Palmer died and who was involved. The first one and a half seasons of Twin Peaks were all about unravelling the mystery of Laura Palmer's death, so this film has no surprises.
With that said, this is a perfectly watchable film with plenty of Lynchisms that fans of Lynch will enjoy. It's a shame Lara Flynn Boyle didn't reprise her role as Donna Hayward, but the replacement actress did a great job (as did the other actors). I would recommend this film if you want to see how Laura Palmer lost her life rather than by just unravelling the mystery through watching the series.
Woefully misunderstood on its initial release this has now been heralded as a minor masterpiece from director David Lynch. In a cinema format Lynch had the freedom to really expose the themes he opened in the first TV series but couldn't fully exploit. He does not hold back here this is a powerful, disturbing and thoroughly enthralling film that manages to display fear in all its horrid manifestations. This is a harrowing, phantasmagorical tragedy about sexual abuse and loneliness portrayed through the visual representations of a nightmarish world where emotion and thought are displayed as reality. Lynch is a master of recreating dream like narratives that are surreal and frightening. This film is one of his cleverest that delves into the dark underbelly of small-town America and doesn't shy away from what is revealed. After a woman is gruesomely murdered the FBI agent in charge of the case disappears in strange circumstances. Agent Dale Cooper (Kyle MacLachlan) who has a gift for understanding the subconscious realm, predicts the killer will strike again. A year later in the small Oregon town of Twin Peaks college student Laura Palmer (Sheryl Lee) is tortured by the regular sexual abuse she suffers at the hands of a man she has named Bob. She understands her life is spiralling towards a violent end. Sheryl Lee's performance here is nothing short of amazing, its some of the finest screen acting you'll ever see and it's a shame she was never recognised for what she achieved here. The support cast are also superb including Ray Wise, David Bowie, Chris Izaak, Kiefer Sutherland and Harry Dean Stanton. If you are unfamiliar with the films of Lynch then you might find this highly unusual stylistically and narratively and Lynch famously refuses to explain his films but this is cinema that highlights the extent of the medium as an art form. Yes this is one of the most impressive suspense horror films you'll ever see, it's original, scary and highly impressive.
“How’s Annie?”
Those were the last words of dialogue repeated over and over by a possessed Dale Cooper at the end of Twin Peaks season two. There would not be a season three that followed (not until 2017 at least). But then came word that David Lynch was directing a Twin Peaks movie, Fire Walk With Me. This excited fans who were hoping to see the series continue on the big screen. What they got instead, however, was a prequel film. While that may have come as a disappointment to fans at the time, the film itself holds up incredibly well for leaning more into the horror within the small town of Twin Peaks.
The film opens up the world a bit by venturing outside of Twin Peaks and into other areas with different characters. The first arc of the film follows some new FBI agents who are tasked with solving a mysterious murder in a trailer park far away from Twin Peaks. This place is like the mirror-universe of Twin Peaks. Whereas the small town featured some smiling and chipper citizens who did well to hide their dark nature, there’s none of that sincerity within the dank and dirty trailer park. Everyone is cold and bitter about the coming of the FBI agents sent to investigate a murder. As the agents probe further, however, they make the discovery of otherworldly forces similar to what Cooper would later encounter in Twin Peaks.
Eventually, the story gets back to the town of Twin Peaks and Sheryl Lee finally gets the most screen time for playing a living version of Laura Palmer. The film peels back her facade of being the popular girl in school by not only showing her bad girl side but showcasing her desperation when dark forces start to close in around her. She finds herself lost in a daze of blind ambition while the creepy force of Bob, the personification of evil, lurks within her very household. Laura can sense that something terrible may be heading her way soon and other forces seem to know of this as well. Despite all the warnings and attempts by others to save Laura, both in the present and the future, there’s no stopping the inevitable event of Laura being murdered.
This film is incredibly dark when compared to the series. Consider how Cooper is brought into the mix. We meet him just before the events of the series, conversing with Gordon about his concerns in his dreams. Cooper is usually the eccentric character we can generally count on being a beacon of joy but here he is terrified about his dreams. In comes a cameo by David Bowie playing a missing FBI agent, bursting into Gordon’s office speaking about dreams and electricity. Before he can explain where he’s been for the past few months, Bowie vanishes, leaving behind far more questions than answers.
I highly recommend checking out the Bluray for the deleted scenes that are so long they literally comprise an entire movie length. The deleted scenes fill in a lot of the blanks that may seem too obscured by the chaotic editing for time. For example, Bowie’s complete sequence is far longer, showcasing where he ended up before and after his talk with Gordon. You’ll still have some questions but the answers become a bit more clear. There are also more calming moments of serenity present, as when Cooper addresses an off-screen Diane and the Palmer family sits down for a pleasant dinner. I only wish these scenes were added back into the film as an extended four-hour cut considering how there’s a better balance.
Fire Walk With Me just gets better every time I watch it. From the atmospheric Pink Room scene to the deeply frightening sequence of Laura’s murder, there are so many scenes that resonate so well and better engross the Twin Peaks fans. It should go without saying but just in case the prequel aspect confused anybody, do not watch this film until you’ve seen the series. This may make the film hard to recommend considering it’s a part of the Criterion Collection but, trust me, you’ll appreciate it all the more.