From Shohei Imamura you have this tale based on true events of a murderous rampage. Even today killers in Japan seem able to blend into the landscape and avoid detection for long periods.
Here we see the upbringing of the killer, what sparks his lethal rage and the consequences of his spree. The ending is also masterful.
I really enjoyed the structure of the film and the snapshot of Japan during this period. Ken Ogata leads a series of fine performances here, yet he remains the true star. This is a must see whether you are a fan of Japanese cinema or not.
Great film! Imamura's direction feels sure-footed throughout the sequences of flashbacks and transitions.
It is Ken Ogata's dynamic performance that draws us into the narrative, and once there we meet a wonderful range of memorable characters.
In true psychopathic fashion the visceral sex scenes run parallel to the magnetic energy of the murder scenes.
The exception to this is the tender illicit passion between the murderer's father and his daughter-in-law.
The dark underbelly of city life is brilliantly exposed, and the final imagery of the cremated bones that refuse to fall from sight is a true master stroke.