I've seen this cult classic before but I wanted to get it out again. It gets better the more you know it. Everyone knows someone who is like, or has lived like Withnail, and although the film is unpolished and looks slightly dated, that is part of the charm. One you either love or hate, but if you think student squalour has a decadent appeal, get this one out!
The title pretty much says it all. This film is perfection. The most staggering thing about it in many ways is that it works at all. If you say the plot to someone, it sounds like the worst film ever: 2 down-on-their-luck/penniless actors escape their filthy flat in London for a weekend in the country after finding favour with the camp uncle of one of them. The holiday is a complete disaster, then things get worse when they receive an unexpected & uninvited guest. They then return back to the flat & nothing much has changed. But, as was said wryly by Ralph Brown, "it just goes to show that sometimes you don't need a good plot!"
The best thing about Withnail is it's script. Written by writer/director Bruce Robinson out of desperation & depression when he was living in conditions like in the film, this is one of the funniest stories ever created. Filled with line after line of endlessly quotable dialogue, it has become a cult favourite, particularly amongst students who relate to its alcoholic & poor protagonists.
The performances are note-perfect, especially Grant as Withnail. Based on one of Robinson's friends, Withnail should be an absolutely revolting, horrible character who you wouldn't want to have within 100 miles of you. But yet he is utterly charming, a totally deluded & vain man who is constantly getting himself into unmentionable & excruciatingly embarrassing situations, sometimes by his own making.
Paul McGann is also perfectly cast, playing the "I" character, although his proper name is Marwood. Effectively a composite of Robinson himself, Marwood is a ball of nerves, the man who usually ends up at the sharp end when things go wrong, constantly worrying about things, mainly what new issue Withnail will cause the pair of them. Marwood is also a gentle soul, the water to Withnail's fire. It must be said without him/McGann's performance, the film would be totally unbearable.
And rounding things off is the brilliant Ralph Brown as Danny the dealer. Speaking in a nasally voice & always carrying various hard drugs, Danny is a genius of a character. Spouting off ridiculous conspiracy theories such as hairdressers being in the employment of the government due to hair being your ariels and picking up signals from the cosmos, he perfectly rounds off the ensemble.
From a behind the scenes viewpoint, again it's a miracle this film exists at all. After the first day's shooting, an attempt was made to shut it down by one of the producers, which only failed as Robinson threatened to walk off the film and leave everyone in limbo. The film itself also looks like it was made very cheaply, which adds completely to the charm of it. Effectively, the DVD looks like a pirate copy, although I haven't seen if there is a remastered version (to be honest I wouldn't want there to be, as it'll ruin the charm.)
But complete credit must go to Bruce Robinson. His determination, talent & brilliance as a writer/director resulted in this total & utter gem. Whilst it's sad that he never again reached these heights (although The Rum Diary was a very good attempt to reclaim some lost ground,) salivate & enjoy watching one of the best small films ever made. Then find some other fans & see how long you can keep quoting it (it'll be years!)
Flawless perfection.
I moved to London in the late 80s and this bears a close resemblance. Funny, Classic, and a snap-shot of a lost sensibility that made this country so fertile.
Yet the Byron and Shelley characters could easily be from any of the last few hundred years. Out of work actors have rarely looked more romantic.
So dense and beautiful you can enjoy it time and time again, and The Crow has to be the best pub in the world.