This lesser known Billy Wilder comedy is a near remake of his co-script on Ninotchka. Jean Arthur plays a straightarrow Senator from the corn belt who visits the ruins of postwar Berlin to investigate misconduct by the occupying US army. Only she falls for the main culprit (John Lund) who is keeping a mercenary ex-mistress (Marlene Dietrich) of a leading Nazi in soap and coffee.
The Senator is a moralist who goes by the rules. She learns the facts of life soon enough, and discovers her own humanity. The Berliners do what they can to survive, and dignity is the commodity they can least afford. This is Wilder's second comedy, and begins his signature of attributing a cynical humour to a scenario more typical of melodrama.
The director fled the Nazis in the '30s and his mother was killed in a concentration camp. Yet he shows pragmatic sympathy for the survivors of defeat, as well as indulgence towards the US soldiers. But the mood gets progressively darker until it eventually feels a bit like watching film noir.
As the ice maiden who thaws, Arthur lacks appeal. Lund is credible, though hasn't much charm. But Marlene Dietrich is a sensation, especially when singing three sardonic cabaret numbers by Friedrich Hollaender. Wilder and Charles Brackett give her some persuasive, poetic editorials to deliver, and she nails them.
more than anything, i enjoyed this film for the snapshot it provides of post-war berlin. more than anything, i enjoyed this film for the snapshot it provides of post-war berlin.
Set in Berlin after WWII, this movie deals with some heavy themes but tries to make it a farce. This comedy-drama is a bit of a dud, with the dark material being played for laughs, one of those old timey abusive relationships passing for romance and the plot being generated by some irritating misunderstandings.