The Israeli filmmaker Amos Gitai is an acerbic social critic who likes to point fingers and pick at warts, and 'Alila,' his acidly comic study of life in a flimsy Tel Aviv apartment complex, is a sour urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. Their residence, jerry-built in a dreary working-class section of Tel Aviv, is little more than a grubby housing development baking in the heat. Among the mostly unpleasant characters are Hezi, a secretive brute, and his besotted girlfriend. Another is a ruthless local builder whose sullen cream puff of a son deserts the army and hides out in the city's red-light district. Disgustedly observing the chaos is a doddering, ill-tempered Holocaust survivor. The filmmaker's jaundiced view of humanity is matched by his eye for the ugly.
We use cookies to help you navigate our website and to keep track of our promotional efforts. Some cookies are necessary for the site to operate normally while others are optional. To find out what cookies we are using please visit Cookies Policy.