Greatest anti-war film ever
- All Quiet on the Western Front review by CP Customer
The film was made 12 years after World War 1 and it captures the horrific atmosphere of that period. Although it was adapted
ffrom a German novel it is universal in its appeal. As for the closing frames - once seen never forgotten.
2 out of 2 members found this review helpful.
Classic War Drama
- All Quiet on the Western Front review by GI
Despite its age this remains one of the most realistic and powerful of war films and viewed today it recreates the trenches of the First World War so accurately it's easy to confuse the scenes with documentary footage. Based on a celebrated novel this is thematically a film that is designed to condemn war and does so through the theme of the disillusionment of youth. It tells the story of a group of German students who are roused to patriotic fervour by their teacher and en masse sign up for the new war against France and Great Britain. After tough training they are thrust into the maelstrom of the frontline where death and horror are daily occurrences. The film doesn't shy from showing dismemberment and gory battle scenes (this was made before the Production Code came fully into force in 1934) and there are some iconic scenes that have become renowned in cinema history, not least the ending. This is a wonderful and memorable film and one that every film fa n should see and I guarantee you will not be disappointed so don't be put off by it's age it's one of the finest American motion pictures ever made. It's been restored for DVD and BluRay in recent years but don't be tempted by the 1979 remake, it's not a patch on this one.
2 out of 2 members found this review helpful.
Anti-War Classic.
- All Quiet on the Western Front review by Steve
A faithful adaptation of Erich Maria Remarque pacifist novel which was a landmark Hollywood war film and helped establish the conventions by which we imagine WWI on screen. Exhorted by a patriotic teacher, a group of naive German children enlist, and over years of combat they are transformed by their experiences, until mutilated, insane or dead.
There is no sense of strategy in the film. The boys and their fatalistic mentors contest the same plot of French farmland in an absurdist exercise in futility. The soldiers create a society out of their irrational circumstances, and a normality out of their fear. They come to view life away from the front as alien, even menacing.
Lewis Milestone fought with the US army in France and he does sensational work. He turns his cast into a believable band of misfits; brutalised, but processing their trauma through trench wit. The visual scope of the film is epic, the camera is mobile and the editing lively. He portrays his huge battle set pieces with coherence, which few directors ever do.
This ranks high among anti-war films and visions of WWI. There is a lot of vérité; the film shows us the logistics of mechanical war. We see a man blown away by an explosive leaving just his hands on the barbed wire. There is no music to evoke glory or sentimentality, there is just the habit forming terror of trench warfare and the betrayal of a generation.
2 out of 2 members found this review helpful.
A Lesson Never To Be Learned.
- All Quiet on the Western Front review by NC
I so much wanted to enthuse and give this five stars. If any film, because of the right messages, deserved to be 'great', then this is one. And indeed there are great passages here:- the opening is spot-on, with a shameless teacher rallying his pupils to abandon learning, and join the slaughter (don't think, just die). The main character,Paul, sees the same teacher spouting the same slime, four years later, and sees it through completely different eyes, for what it is. A scene in a crumbling dug-out, as the young recruits await the order to fight, some of them already suffering mentally from the constant bombardment. A scene in a hospital, where the mortally wounded are taken to 'the dying room', and their vacant beds are remade in swift, clockwork fashion. But it is the battlefield scenes which stay in the mind. There is depictions of such chaos and confusion, and such horror as bodies are mown down and blown apart, that it is hard to believe first of all it was made in 1930, and secondly that such scenes of barbarity could ever be rendered more powerfully.
If only the script and the acting weren't so abysmal. There is one scene where Paul stabs a French soldier who has fallen into the same foxhole. Thereafter Paul, in anguish, desperately tries to aid the dying man. "I want to help you", he shouts. Yes, we can see that, we do not need to be told. It's done too melodramatically. How much more powerful would the scene be if no words were spoken - just Paul frantically trying to stem the bleeding and find water? So many scenes which presumably are there to depict life outside the trenches, are a waste of time because they are so badly done.
It's such a shame. So much is in place to make this one of the most memorable anti-war films. So much so, in fact, that Lew Ayres was to become a conscientious objector in the Second World War, partly through his experience in making 'All Quiet'. But the words the actors are made to utter just can't be forgiven, nor the exaggerated manner in which they say them.
Full honours to anti-war films set in the First World War go to later efforts like Richard Attenborough's 'Oh, What A Lovely War' and Christian Carion's 'Joyeux Noel', but for all that 'All Quiet' certainly puts to shame the sick John Wayne type of film about 'heroes'. There are no heroes here - just boys impelled to enlist, dying in mud and rain and blood, for a reason they can't figure out.
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A Brilliant, Classic, Anti-War Film which Won Several 1930 Oscars and Deservedly so too.
- All Quiet on the Western Front review by PV
This is a BRILLIANT film. Ignore those who complain about the theatrical acting - it is almost a century old, just after the silent era, for goodness sake! The incomprehensible mumbling of naturalism in acting in film had not started yet (YAY!)
It was made in 1930 or 1929 filmed then - so 94 years old! Yes, the sound can be hissy and creaking a bit - but then you would be too aged 94!
What is amazing is how explicit the violence of war is for a 1930 US movie - injuries, death on the battlefield, severed limbs portrayed and corpses. That is why it gets a PG certificate even now, and they would not show this before 9pm on any TV channel and only then with trigger warnings.
There is also (male) nudity. The Hays Code was 1934 - before that, Hollywood films could do that and have Mae West. I watched the 1979 TV Movie of ALL QUIET ON THE WESTERN FRONT and it is not a patch on this and has no such male nudity or explicit violent and gruesome war scenes - I prefer the realise of this.
The battle scenes (decades before CGI) are impressive, and the script is fine, it shows instead of tells, and the relentless rain and cramped quarters are effectively portrayed. The acting us superb from all the young men.
Odd in a way that the US should make a movie with American actors speaking English playing Germans and being so sympathetic to them in the First World War - though the German enemy is mostly the French, sometimes the 'English', never the Americans (who only joined WWI in 1917 anyway).
So glad I watched this - I shall soon watch the new version, in German, and compare.
5 stars. Watch it and make your kids watch it too..
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