As some of you will know, the majestic Robert Duvall celebrated 92 years on this planet. Maestro Duvall has long been a great favourite of mine, possessing as he does a screen presence that’s both powerful and all his own, whether playing good or bad, to the point that I don’t hope for the best with him, I EXPECT it!
So it was with high expectations that yours truly watched BADGE 373, in which Maestro Duvall plays hardboiled NYPD cop Eddie Ryan hellbent on avenging the murder of his ex-partner GiGi Caputo (Louis Cosentino), who’s been found in his car with his throat cut. Trouble is that Ryan’s found himself suspended from the force after throwing a drug-peddling associate of local crime boss Sweet William (Henry Darrow), plus it doesn’t help that he’s a racist boor to boot, and generally treats his lady friend Maureen (Verna Bloom) like crap. But if you think that’s going to stop him…
Directed by the veteran Howard W. Koch, BADGE 373 is a film I’ve long wanted to see, plugging as it does a sizeable gap in my Duvall viewing and that it hails from the 1970s, which is the golden age of the movie thriller in my book…damn shame the film didn’t live up to my lofty expectations! Maestro Duvall is his usual eminently watchable self here, giving the film its drive, but overall it’s MEH! There’s great moments, terrific location shooting by Arthur Ornitz, but ultimately it’s a symphony of perfunctory, with broad performances that manage to be achingly dull when they’re not bordering on stereotypes, plus an underwhelming JJ Jackson soundtrack and general lack of drama. All of which just about killed it for me.
One for the Duvall completists amongst us…and them alone!