Hatsu-Yume (First Dream) is Bill Viola's masterpiece, the greatest work by one of the most important video artists in the world. A spiritual allegory equating light and dark with life and death. 'Hatsu-Yume' was produced in Japan in 1981 while Viola was artist-in-residence at the Sony Corporation. The title refers to Japanese folklore, wherein things done on the first day of a new year are significant. But the tape is not to be taken literally as a dream. For Viola, it's more like the aboriginal concept of dreamtime, the creation of the world. That's why, as a whole and in its parts, 'Hatsu-Yume' progresses from darkness to light, stillness to motion, silence to sound, simplicity to complexity, nature to civilization. There are two interwoven themes: the dark water world of fish, and Buddhist rituals invoking the souls of dead ancestors. As in a dream, we frequently can't tell if these wordless streams of image and sound are unfolding in real time, slow-motion or time-lapse. A work of extravagant pictorial beauty, 'Hatsu-Yume' represents the most painterly use of light in the history of video. Form is content: the light that lures fish to their death protects human life. At once ominous, majestic, mystical and deeply spiritual, 'Hatsu-Yume' is the work of a visionary poet of image and sound.
We use cookies to help you navigate our website and to keep track of our promotional efforts. Some cookies are necessary for the site to operate normally while others are optional. To find out what cookies we are using please visit Cookies Policy.