If you love haunted house stories :Belasco House, Eel Marsh House, Hill House, the Overlook Hotel then visit Borley Rectory. The aesthetic is old, speckled photographs of Victorian seances and silent movies like 'Vampyr'. Every frame is a work of art with dust motes, curling mist and hidden faces.
At last a film worth watching about Borley Rectory. After the ludicrously bad Haunting of Borley Rectory by non-director Steven M Smith and Andrew Jones Haunting At The Rectory, this well-crafted, atmospheric part-animated chiller this is absolutely well-worth your time. It's finished in the style of FW Murnau's Nosferatu with flickering b&w visuals and superbly rendered special effects. Curtains billow, floorboards creek,doors slam, faces appear at windows and out of smokey shadows. It's a deft piece of showmanship. It works less well as a drama - this is more in the realms of dramatised documentary, but I was OK with that. This is a creative way to get the facts to the viewer and keep them engaged. Julian Sands' narration is excellent and well-poised. Shame the material is so slight and the running time very short - but this film is the quintessential movie to check out if you want to learn about Borley Rectory.
This is a strange production – by all accounts, a labour of love from director/writer Ashley Thorpe. Truly, the atmosphere and sensitivities of a 1920/1930 horror film are recreated here, albeit with layers of modern (mainly computer generated) techniques. As such, nothing is ever quite real, no location is completely convincing – which results in a very odd (and unique) overall ‘look’.
To go deeper than that, the project has attracted some names among its cast – Jonathan Rigby, Reece Shearsmith and Julian Sands – who all enter into the spirit of the production with gusto.
The documentary style sadly robs the story of many of its dramatic possibilities. Allegedly, the most haunted house in England should be host to some terrifying moments or recollections, but there’s nothing that really makes it through the veneer of ubiquitous CGI enhancements. What we end up with ultimately is a curio – good to look at and effective for a while, but not much to sustain it for its 73 minutes. My score is 5 out of 10.