"Brief Encounters" (1967) was the debut feature from Kira Muratova. It was here we saw the beginnings of Muratova's impressionistic style, blending observational realism with new wave experimentation. Despite the continued censorship Muratova's work received, she still managed to emerge as one of the leading figures in Ukrainian and Russian cinema, thanks in part to 'Brief Encounters' and 'The Long Farewell' being shown in secret to film students in the intervening years when she wasn't allowed to make films. Muratova made a remarkable comeback after Perestroika and built a very successful film career from the late 80s onwards due to her boundary pushing directorial approach and aesthetics. 'Brief Encounters' tells the story of an intricate love triangle, connecting a city planner (played by Muratova herself), her free-spirited geologist husband (legendary Soviet protest singer Vladimir Vysotsky), and the young woman from the countrvside (Nina Ruslanova) whom she hires as their housekeeper.
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