Essentially a crime thriller with a road movie style and a twisted love story at its heart. This film ended a string of masterpiece films from director Sam Peckinpah that studied flawed (anti) heroes who are destined through a failed machismo to die violently. This is possibly Peckinpah's most self referential film and one where he was allowed to make and edit the film exactly as he wanted it. For many this is his best film others find it a challenge. It's certainly a provocative one, the title alone highlights this, but it's also one of the most interesting and compelling American films to come out of the 1970s. Peckinpah had an abiding passion for Mexico and many of his films have either key scenes set there or have characters trying to escape to there. This film is entirely set in Mexico and tells the story of Bennie (Warren Oates), a down on his luck bartender cum piano player, in a seedy Mexican bar. When he learns a big crime lord has put out a contract on the life of his love rival Alfredo, Bennie sees an opportunity to get rich. Knowing Alfredo has died in a car accident, Bennie, along with his prostitute girlfriend (Isela Vega), goes in search of where Alfredo is buried in order to steal his head and claim the reward. But events along the way cause Bennie to change his motivations from greed to revenge. With Peckinpah's trademark, balletic use of slow motion and with a poetic style of storytelling this is a land mark film, and whilst it maybe a challenging one for audiences today I can guarantee you'll find this quite different, challenging and yet very watchable.
Slow to start but a Road Movie with typical Pekinpah violence at the end which is predictable.Could not see the point of the attempted rape scene but Warren Oates is good
& the actress is rather sexy.Must be Kristofferson ,s first appearance.I note it was a flop when released but has now become a cult classic.