“Let's go to work!” The phrase is of course associated with Quentin Tarantino's Reservoir Dogs. Was he, though, as an assiduous viewer, alluding to Bullets or Ballots (1936)? The phrase is uttered by one of a bunch of gangsters who command numerous rackets, including the pinball machines which they foist upon a café owner as the pupils at the opposite school will not be able to resist it.
A politician who vows to stop all this is felled by Humphrey Bogart, whose maverick behaviour shows that the gang is riven while only one of them knows the sleekly respectable-looking Mr. Bigs behind it all.
How will Edward G. Robinson be able to enforce the law and prevent the series of front pages which were, of course, such a rapid-fire part of these fast-moving Warner Brothers movies?
Capably directed by William Keighley, it is well done, “a good gangster film of the second class”, as Graham Greene said at the time - and added that Robinson's mouth was “more than ever like a long slit in a pillar-box”. One might wonder how much Greene's watching of such films influenced Brighton Rock, a feature of which is those who stand aloof from slugfests while gaining from them.