1971 BAFTA Best Cinematography
1970 Oscar Best Cinematography
1970 Oscar Best Music Original Score not a Musical
This is undoubtedly the best western ever made. If you haven't watched it recently it does not fade with age. If you have never watched it, this is how to make a western. It is about a gang of outlaws who rob from trains and banks. There are moments that rival "you're only supposed to blow the ******* doors off" with stunts that although straight forward beat any car pile up for thrill. The characters are marvelous and have a great dry humour. Newman and Redford never did anything better (and unfortunately quite a few things that were not so good). Arguably the best and most memorable ending of any film.
I never did see this film when it first came out, and understood that I had missed one of the "best films ever" and so was delighted to be able to catch up and right this error ! Well, talk about dissapointed, and unless you are a born Robert Redford addict , don't bother, its boring and if you think about it, they were actually, two pretty nasty blokes who get their just deserts in the end, are we really interested ? Also what is the bicycle scene all about ? I think I fell asleep on the sofa, thats how exciting it was.
I wasn't overly looking forward to this one as it occupies similar territory (a pair of sympathetic but doomed outlaws) as Bonnie and Clyde, which I had seen recently and wasn't too keen on. But I really enjoyed this. I have just been reading Roger Ebert's contemporaneous review of the film and was surprised that in his opinion the film lost its way once the 'super-posse' began tracking Butch and Sundance, as this was the exact point that I knew I really liked it. In Ebert's opinion this section was too slow and should have been edited down, but I loved it. I like films that slow down, take their time and actually give you a sense of what the passage of time might feel like for the characters in a particular situation. Some critics took issue with the anachronistic soundtrack as well but I enjoyed that too. I'm not sure to what extent this film was made to cash in on the success of Bonnie and Clyde, but I think it compares very favourably to it. The direction and editing has a lot of nice touches that help to maintain interest and the director (George Roy Hill) seems less in thrall to French New Wave films than Arthur Penn, who directed Bonnie and Clyde. I liked the tone of gentle melancholy, notwithstanding that the film is still asking us to sympathise with criminals.
I have given it 4 stars just because I'm not quite sure it got the ending right. The final scene is probably the closest the film gets to genuinely ripping off Bonnie and Clyde and I think something less obvious and more in keeping with the nostalgic melancholy of the rest of the film could have worked better. Still, a very enjoyable film which I'm glad I made the effort to watch.