Day of Wrath (1943) A priest tortures a confession out of an old woman accused of witchcraft; meanwhile his young wife (whose own mother has been suspected of being a witch) meets and falls in love with the priest's son by a former marriage.
The Word (1955) A tale of miraculous resurrection brought about by human love, Ordet is an extraordinary expression of spiritual optimism without being either sentimental or pious. Religious intolerance and family tensions lie at the heart of the film, which explores the clash between orthodox religions and true faith. Dreyer achieves its powerful effects in deceptively simple ways, and has produced, in its closing moments, one of the most extraordinary scenes in all cinema.
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