Adapted from the first novel by John Le Carré, Call For The Dead, this is a slow burning espionage story with a top cast but one which dillies and dallies around too much making it a bit of a grind at times. This is a shame because it has a superb cast led by James Mason. He plays Charles (in the novel this is George Smiley, the name had to be changed because another studio owned the rights to it), a British Intelligence officer who carries out a routine security check on a foreign office official who the next day commits suicide. Feeling himself being blamed for the death Charles begins an investigation with the help of a police detective, Mendel (Harry Andrews) and uncovers a sinister spy ring working in Britain. He also has to cope with his young philandering wife who looks set on leaving him for his old friend, Dieter (Maximilian Schell) Like Le Carré's novels this attempts to be a realistic look at modern espionage and the plot has some interesting twists and turns. It's not an action film but more like a mystery story where the truth is gradually deduced and revealed. Unfortunately director Sidney Lumet lingers a little too long over some scenes that make the film slow down even more although you can see that he's attempting to mirror the Shakespearean tragedies that are taking place in scenes within a theatre. If you're a fan of Le Carré then this is an interesting adaptation and Mason is a George Smiley very much like the character of the novels and later TV and film appearances. Worth checking out if you've never seen this.
FILM & REVIEW On a pouring wet Autumn Sunday afternoon what better than an old fashioned Le Carre Cold War spy thriller. Mason plays Dobbs who is investigating a senior civil servant who was a Communist back in the ‘30’s when Dobbs department receives an letter claiming he still is. Dobbs investigates but clears him only to discover he shot himself that following evening. Dobbs is not convinced but falls foul of his boss so quits to investigate further opening a full can of worms stretching back to the war where nothing is as it seems. I say Mason plays Dobbs but it’s obviously George Smiley down to his nympomaniac openly unfaithful wife Anne - the name change is simply down to another studio having the rights to the characters name. A fine supporting cast including Andrews as an eccentric retired copper, Kinnear as a shifty car dealer and Schell as Dobbs’ friend from the war who is Anne’s latest lover. Mason is just superb dealing with the petty betrayal’s of his life with Signoret as the widow who may well know for more than she is letting on. Although it was made in 1966 it’s as far away from Swinging London as it’s possibly to get - Lumet and his cameraman Freddy Young shoot everything in a drained de-saturated palette so it’s like it’s set in a previous decade and the script is excellent using the Le Carre book as the basis of how all the certainties of the War have faded into ambiguity. The reveal takes place during a performance of Edward II a play itself about betrayal and look out for a youthful David Warner in the lead role - a real overlooked gem - 4/5
Great thriller which in many ways captures the atmosphere of the time. Full of superb actors and lots of plot twists.