Real-life Wisconsin serial killer Ed Gein inspired many distinguished films, including 'Psycho', 'The Silence of the Lambs' and 'The Texas Chain Saw Massacre', but none is quite as disturbing as 'Deranged'. Roberts Blossom gives an alarmingly convincing performance as rural eccentric Ezra Cobb, whose mother's death unhinges him to the point where he not only lovingly preserves her corpse in the living room but also goes out to find 'friends' to keep her company - not all of whom are dead when he finds them! Perversely, Ezra's more worried about what mother would say about his various activities than he is about the prospect of being found out. Indeed, like Gein, he's cheerfully open about his activities when visiting friends, but no-one believes him.
Audio commentary with special effects artist Tom Savini
Introduction to the film by Savini
A Blossoming Brilliance: Scott Spiegel (Intruder; Evil Dead II) speaks about Deranged star Roberts Blossom and the lasting legacy of this gore-soaked gem
Ed Gein: From Murderer to Movies -Laurence R. Harvey (The Human Centipide II) discusses the lurid legacy of the Wisconsin serial killer and the secrets of portraying a cinematic psychopath The Wages of Sin - Making of featurette comprising newly transferred 16mm production footage and an archive interview with director Jeff Gillen
Original Trailer
Stills Gallery
BBFC:
Release Date:
19/08/2013
Run Time:
83 minutes
Languages:
English LPCM Stereo
Subtitles:
English Hard of Hearing
Formats:
Pal
Aspect Ratio:
Widescreen 1.85:1
Colour:
Colour
BLU-RAY Regions:
B
Bonus:
Audio commentary with special effects artist Tom Savini
Introduction to the film by Savini
A Blossoming Brilliance: Scott Spiegel (Intruder; Evil Dead II) speaks about Deranged star Roberts Blossom and the lasting legacy of this gore-soaked gem
Ed Gein: From Murderer to Movies -Laurence R. Harvey (The Human Centipide II) discusses the lurid legacy of the Wisconsin serial killer and the secrets of portraying a cinematic psychopath The Wages of Sin - Making of featurette comprising newly transferred 16mm production footage and an archive interview with director Jeff Gillen
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