Gloriously baroque comedy horror which crosses the Hammer studio's run of sixties psychological thrillers with the psycho-granny trend that followed the success of Whatever Happened to Baby Jane? in 1962. In this case, the former golden age star is Tallulah Bankhead as a deranged older lady with unusual plans for her dead son.
And she is fabulous. She's funny and just creepy enough too. Her cherished child was killed in a car crash after he was dumped by his American fiancée (Stefanie Powers). So the female heartbreaker is invited to the isolated family home and held hostage while her soul is prepared for eternal marriage. Of course there are implications of incest, and his homosexuality.
Hammer usually managed to transform a modest budget into a sumptuous production, and they excel themselves. The luscious colour is unorthodox for sixties psycho-horror. The story is conventional but the actors coax the melodrama and dialogue to a delicious ripeness. Peter Vaughan and Yootha Joyce are menacing as the crazy servants.
Though this is set in England, it feels like American gothic. There is the old dilapidated ancestral estate with the dark family secret. It's an utterly immoderate black comedy, with little subtlety. Stefanie and Yootha even engage in an extended wrestling bout. And the legendary Tallulah is extraordinary in her final screen role.