Heralded as Poland’s first LGBT film, though it was pit to the release date posts by the similarly themed In the Name Of (2013) Floating Skyscrapers is the story of Kuba, a swimming enthusiast who, thanks to a secret relationship, slowly begins to come to terms with his sexuality.
The film follows Kuba, a young Polish man with dreams of championship swimming who lives with his girlfriend Slywia and seems unable to escape his somewhat overbearing mother: though he has always been aware of his homosexuality, or at least bisexuality, Kuba has been forced by a disapproving society to keep his thoughts and feelings to himself. Upon meeting Michal however, Kuba finally begins to connect the emotional aspects of homosexual love with the sexual allure of lust. With a handful of sexually tense moments the film explores Kuba’s draw to Michal and the fall out of his “coming out”.
A very quiet and delicate film Floating Skyscrapers has a distinctly familiar feel to it, for those of us who have watched both the big money making Oscar winners and the far smaller and more unusual LGBT films from the UK and the US over the last twenty years. The social and cultural issues addressed are those that were present in our culture as far back as the 1980’s; yet the Eastern European locale of this film reminds us that for many people homosexuality remains a covert, dangerous and intimate secret. Though this does not ruin the film at all, in fact it provides an incredibly interesting extra dimension of social and political context to the piece; it does mean that the story loses some of its impact for those of us who are already so familiar with such themes.
Do not take this to mean that I disliked the film, far from it; Floating Skyscrapers is hugely enjoyable; it is an intimate and emotional story with a compelling lead character brilliantly played by the wonderful Mateusz Banasiuk. But the time delay in the experience and depiction of its themes makes it a little predictable and easy to lose interest in.