Unpretentious social realist crime film from Cy Endfield, one of the directors who pitched up in the UK after being forced out of Hollywood by the communist witch hunt. His early productions in this country were formula cheapies released under a pseudonym.
For this British classic, he went back to his own name and politics. It's a proletariat story about how the workers fight each other and the bosses exploit their division. It was surely influenced by Henri-Georges Clouzot's gorgeous, fatalistic trucker-noir The Wages of Fear. This isn't in that class, but it stands comparison with any of Hollywood's haulage melodramas.
There is an unbelievable cast from top to bottom, Banks to Peters. Patrick McGoohan and the great Stanley Baker excel as the toughest maniacs in the drivers pool, half way between a bonus and oblivion. But Sean Connery is in there too, and a hard to recognise Jill Ireland. Herbert Lom, Peggy Cummins, William Hartnell. It goes on, and on.
The exciting truck chases are extremely well filmed. There's a low budget, but lots of compelling action, and its political message still stands. It seems to have developed a cult following. It's a key entry among many excellent British noir and gangster films made after WWII.