Musical remake of The Philadelphia Story mostly follows the same plot, as a pair of tabloid reporters cover the lavish nuptials of the American aristocracy. This time, naturally, there are songs (no dancing). And what songs. Cole Porter's soundtrack is phenomenal, especially Well, Did You Evah and Who Wants to Be a Millionaire? And True Love. And Now You Has Jazz...
Both words and music are exceptional. Also among the positives, Grace Kelly's stunning beauty at least helps us understand why so many eligible men want to take on Tracy Lord in spite of her mean, shrewish nature. On the debit, Bing Crosby is so square and stiff it's not obvious why she would marry him, twice.
And his singing voice hasn't stood the test of time. Frank Sinatra and Celeste Holm are convivial as the reporters, and Frank sings well, including his solo, You're Sensational. But any scene featuring Louis Armstrong is stolen with panache. The Vistavision and Technicolor make this a striking production even if Charles Walter's direction is prosaic.
Compared with The Philadelphia Story, this is superficial entertainment. There's no darker side. Nothing about class conflict and at times it feels like we're expected to fill in gaps from having seen the original. But Kelly's supreme elegance and particularly Porter's forever classics make me prefer High Society. And there are great songs I haven't even mentioned.