Atmospheric crime thriller which is parked right on the intersection between the '30s Manhattan murder caper, and the incoming film noir movement of the '40s. There is a freshness to the cast with emerging stars in Victor Mature and Carole Landis, and Betty Grable looking for a new direction away from the musical.
That never actually paid off as she became such an icon in WWII that she got typecast as a good girl in a swimsuit. And we see the famous legs. She plays the sensible sister of a murdered showbiz wannabe (Landis), whose slick agent (Mature) has to prove his innocence. Laird Cregar dominates though as the... Well, as a tough cop!
H.Bruce Humberstone was just genre director of B films and he doesn't create much suspense and the pace is sluggish. However, he gives it a classic expressionist look and its a fine showcase for the young leads. Landis shines as the working girl snuffed out in her quest for the big time. Cult favourite Elisha Cook Jr. features as the... Well, a hotel clerk!
There are the motifs from earlier screwball mysteries with the New York nightspots and cocktails and lamé gowns. And sassy innuendo. And there's a premonition of noir with the flashbacks and darkness and pessimism. And Cregar's shadowy menace. It's an interesting genre film which suffers slightly for the lack of a A-list director.