Magical. The word has become overused, but there is no other adjective for Karel Zeman’s Invention for Destruction (1958). To describe it is to convey only a part of the effect it has. This is far from the routine would-be thrills of those who try to adapt Jules Verne. In this case, a lesser-known novel provides the background in which a gang of pirates, who operating from a hidden cave, have as part of their fleet a submarine. This plys a fish-laden ocean bed from which it rises to plunge into the hull of many a ship so that, as those crews drown, men in suitable suits emerge from the submersible to requisition trunkloads of treasure.
Add to this a beautiful surviving young woman and a kidnapped inventor, and you might imagine the hand of Hammer.
But no, Zeman’s work comprises animation, hand-drawn backgrounds sometimes traversed by a human cast which, now and then, morphs into stop-go techniques, all of which had an effect upon, among others, Terry Gilliam.
When the world has staled of computer-generated imagery, it will return to the sheer beauty of something which time and again has one going “wow!” - not least when an octopus does its stuff.
Never has black and white been so colourful.