Why is It Happened in Hollywood not better known?
Made in 1937, it turns around what has become a theme of films: a talkie about the advent of talkies and the effect upon those who could not adapt.
The opening itself is a well-managed trick, made all the better by the revelation that it takes place not in the West but the ward of a children's hospital. Sometimes sentimental, it is also broad farce, and even romance (with Fay Wray), as a former cowboy star tries to make good again.
Crucial to this is a fifreen-minute scene in which many of Hollywood's finest appear to enjoy a sunny garden party and utter their most famous lines. Say no more - except also watch the short documentary about the making of that scene. Along with that there are two more early works by Sam Fuller: the wartime Power of the Press is a sombre, doubly topical work (including the revelation that the phrase "fake news" is almost ninety years old).
Low budget polemic about the threat of fascism in the American media. A pro-Nazi has the liberal owner of the New York Gazette killed so he can seize editorial control. Only the dead man left a will which transfers the publication to an editor from Hicksville with real American values who must fight to save the paper for democracy.
This is remembered because the story was written by future cult director Sam Fuller. It was made by Columbia, the studio which emerged from poverty row largely because of the progressive films of Frank Capra. And it's easy to imagine this as a story treatment for the great director, though this is the punchy tabloid version. Well, there's a war on.
So swap in James Stewart for Guy Kibbee as the small town editor. Jean Arthur for Gloria Dickson as his spunky girl Friday. And Edward Arnold for Otto Kruger as the fifth columnist. What might have been! It's actually directed by B-picture stalwart Lew Landers who gets it all done in 64 minutes without style, romance or a lot of folksy hee-haw from Walter Brennan.
But it's really entertaining. It continually moves forward at pace and gives us what we want. And that's is a grim outcome for the enemies of the free world, including a big speech about the indomitable people. Which feels just as winsomely optimistic as the climax of a Capra film. All while Fuller was away fighting real Nazis in Italy.
*** for this/** for the collection.