Frank Capra's cherished classic didn't make a profit, and was released to a critical shrug. Strange that a film about sacrifice should underwhelm a world coming out of war. Today, Harry Bailey, Bedford Falls and Pottersville are paradigms. Now, it's curious that eventually America embraced so tightly such a nakedly socialist film.
The plot is like Charles Dickens wrote the Twilight Zone. George Bailey (James Stewart) has reached the end of himself. Having sacrificed his life for others, he faces financial destruction and decides that suicide would be the best way out. After a bang on the head, and a couple of drinks, he is confronted by a guardian angel and the world as it would have been had he never lived...
So far, so whimsical. The film though manages to absorb its undoubted sentimentality in the utter desolation of its premise; Bailey entirely squeezed of his dreams until he is standing on that bridge in the darkness of his home town, staring down with fear into the void of the river.
Hard to imagine that anyone but Capra could have done this. And that cast... It is an extraordinarily emotional experience, and a sustainedly bleak encounter that ultimately offers up an overwhelming catharsis. But it is also the film where Capra finally got swallowed up in the shadows. His famous ending is an act of mercy. We are all living in Pottersville now.
What can one add about such a beloved slice of classic Hollywood as this? A film that is so rich in detail that it's worth watching just to study the mise-en-scène throughout. James Stewart, in his first role since returning from duty in the Second World War, is perfect, an actor who could play comedy, action, hard man and softy with believable precision that it's so easy to forget just how good he was. And Donna Reed, not only a tremendously beautiful woman but an actor of class and skill. Stewart plays George Bailey, an ambitious man who lives in the small town of Bedford Falls where his family run a small building and loan company. The company is coveted by the town's odious rich man Potter (Lionel Barrymore) but he is continually foiled from acquiring it by George who gets stuck in the town after his father dies. He finds happiness in love with Mary (Reed) and raises a family but is always a little disappointed with his life and then a chain of events leaves George facing ruin and he contemplates suicide. But he is given a very special gift by a strange old man, the chance to see the world as if he had never been born. This is a film about community, about morality and ultimately about materialism and even if it is a film that exemplifies the 'male gaze' dominance of Hollywood this is a remarkable piece of cinema. I can see why this remains a popular Christmas film, because it's themes resonate today even if they are only observed subconsciously and because ultimately it's a film that gives you that warm feeling long after it's over.
Corny but wonderful - a great performance by James Stewart.