The 'In Rehearsal' series continues to offer fascinating insights into the technique of conducting with this film about John Eliot Gardiner rehearsing Bach's Cantata BWV63 (Christen, ätzet diesen Tag). The venue is EMI's Abbey Road Studios, so there are the obligatory hackneyed shots of that zebra crossing at the beginning, but there's nothing else hackneyed about the rest of this engrossing film. The devil is in the detail: what Gardiner says about Bach and period performance (enlightening though it is) is less interesting than the way he says it. After one rousing chorus, for example, he leaves everyone breathless in silence while he digs some dirt from his fingernails before giving them a cool "Well done". A mild contretemps with the first trumpet leads to an interview in which the brass player nervously and darkly hints at even greater conflict under the surface of the rehearsal. It's remarkable to hear the sublime music-making that results despite, or perhaps because of, the tension: Gardiner continually urges the musicians to swing the beat and feel the pulse as if it were a dance, and they do. One quibble: the names of the soloists aren't credited anywhere, so here they are: Ann Monoyios, Sara Mingardo, Rufus Müller and Stephan Loges.
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